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dc.contributor.authorPerotto, Monica
dc.contributor.authorROSSI, VALENTINA
dc.contributor.authorŽukova, Natalia
dc.date.accessioned2023-08-08T05:46:38Z
dc.date.available2023-08-08T05:46:38Z
dc.date.issued2023
dc.date.submitted2023-08-03T15:02:05Z
dc.identifierONIX_20230803_9791221500615_6
dc.identifierhttps://library.oapen.org/handle/20.500.12657/74810
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/112178
dc.description.abstractThis chapter focuses on Obrazy Italii, the best known work by Pavel Muratov, a Russian writer, journalist, critic and art historian. This work is a diary recounting the journey to Italy of the author at the beginning of the twentieth century; nowadays it is considered a classic text that provides a testimony on the way Italian art was perceived in Russia. Though it is well-known in Russia, this work has only recently received some attention in Italy following its recent translation. This chapter contains detailed and original analyses that compare Muratov’s translations with those found in Russian dictionaries written in the same period. These concern a selection of lemmas in art and architecture and the names of artists. This chapter shows that the language employed in this work cannot be defined as either specialised or standard, but as a mixture between the two.
dc.languageItalian
dc.relation.ispartofseriesLessico multilingue dei Beni Culturali
dc.rightsopen access
dc.subject.othertranslation
dc.subject.otherRussian language
dc.subject.otherPavel Pavlovič Muratov
dc.subject.otherart
dc.subject.otherarchitecture
dc.subject.otherthema EDItEUR::A The Arts
dc.titleChapter L’immagine di Firenze e Bologna in Obrazy Italii di Pavel Muratov: riflessioni sulla traduzione del lessico artistico
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0061-5.08
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isPartOfBookNuove strategie per la traduzione del lessico artistico
oapen.relation.isbn9791221500615
oapen.pages20
oapen.place.publicationFlorence
dc.seriesnumber1
dc.abstractotherlanguageThis chapter focuses on Obrazy Italii, the best known work by Pavel Muratov, a Russian writer, journalist, critic and art historian. This work is a diary recounting the journey to Italy of the author at the beginning of the twentieth century; nowadays it is considered a classic text that provides a testimony on the way Italian art was perceived in Russia. Though it is well-known in Russia, this work has only recently received some attention in Italy following its recent translation. This chapter contains detailed and original analyses that compare Muratov’s translations with those found in Russian dictionaries written in the same period. These concern a selection of lemmas in art and architecture and the names of artists. This chapter shows that the language employed in this work cannot be defined as either specialised or standard, but as a mixture between the two.


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