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Chapter In gesprek met Iris Kensmil

dc.contributor.authorKensmil, Iris
dc.contributor.authorKerchman, Astrid
dc.contributor.authorWevers, Rosa
dc.contributor.authorBenedicty-Kokken, Alessandra
dc.date.accessioned2023-11-17T09:56:33Z
dc.date.available2023-11-17T09:56:33Z
dc.date.issued2023
dc.date.submitted2023-10-12T13:14:06Z
dc.identifierONIX_20231012_9789048560110_17
dc.identifierhttps://library.oapen.org/handle/20.500.12657/76691
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/122279
dc.description.abstractThis article is focused on Professor Buikema’s intellectual oeuvre and the relation between art and politics as it materialised in MOED (Museum of Equality and Difference). Astrid Kerchman and Rosa Wevers, MOED’s former project coordinators, reflect on their collaboration with Buikema through an interview with artist Iris Kensmil on the important role of art in complex social issues relating to emancipation, representation, and resistance. Drawing on the interview with Kensmil and Buikema’s Revolts in Cultural Critique (2020), Alessandra Benedicty-Kokken reflects on the meaning of feminist leadership within an institutional context.
dc.languageDutch
dc.rightsopen access
dc.subject.othercultural criticism
dc.subject.otherfeminism
dc.subject.otherart
dc.titleChapter In gesprek met Iris Kensmil
dc.typechapter
oapen.identifier.doi10.5117/9789048560110_kensmil
oapen.relation.isPublishedByde2ecbe7-1037-4e96-8c3a-5a842d921e04
oapen.relation.isPartOfBookTransities in kunst, cultuur en politiek = Transitions in Art, Culture, and Politics
oapen.relation.isPartOfBook5770e252-0e27-4212-bc20-c09ff04cf05d
oapen.relation.isFundedByb586072e-2e5d-469f-8332-217c0beb5b08
oapen.relation.isFundedBy4d864437-7722-4c66-b80f-140a98d4bca9
oapen.relation.isbn9789048560110
oapen.relation.isbn9789048560127
oapen.pages11
oapen.place.publicationAmsterdam
oapen.grant.number[...]
oapen.grant.number[...]
dc.relationisFundedByb586072e-2e5d-469f-8332-217c0beb5b08
dc.relationisFundedBy4d864437-7722-4c66-b80f-140a98d4bca9
dc.abstractotherlanguageThis article is focused on Professor Buikema’s intellectual oeuvre and the relation between art and politics as it materialised in MOED (Museum of Equality and Difference). Astrid Kerchman and Rosa Wevers, MOED’s former project coordinators, reflect on their collaboration with Buikema through an interview with artist Iris Kensmil on the important role of art in complex social issues relating to emancipation, representation, and resistance. Drawing on the interview with Kensmil and Buikema’s Revolts in Cultural Critique (2020), Alessandra Benedicty-Kokken reflects on the meaning of feminist leadership within an institutional context.


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