Die Interaktion zwischen Dirigent:in und Musiker:innen in Orchesterproben
Mehrsprachige und multimodale Interaktionsmuster zwischen Worten und Tönen, Händen und Füßen
| dc.contributor.author | Messner, Monika | |
| dc.date.accessioned | 2023-11-17T10:25:45Z | |
| dc.date.available | 2023-11-17T10:25:45Z | |
| dc.date.issued | 2023 | |
| dc.date.submitted | 2023-10-20T15:24:49Z | |
| dc.identifier | ONIX_20231020_9783110779394_8 | |
| dc.identifier | 1612-8702 | |
| dc.identifier | https://library.oapen.org/handle/20.500.12657/76900 | |
| dc.identifier.uri | https://directory.doabooks.org/handle/20.500.12854/122444 | |
| dc.description.abstract | This study examines the multilingual and multimodal practices employed by conductors and musicians to communicate and interact with each other during rehearsals of French and Italian symphony orchestras. | |
| dc.language | German | |
| dc.relation.ispartofseries | Linguistik – Impulse & Tendenzen | |
| dc.rights | open access | |
| dc.subject.other | Multilingualism | |
| dc.subject.other | Multimodality | |
| dc.subject.other | Conversation Analysis | |
| dc.title | Die Interaktion zwischen Dirigent:in und Musiker:innen in Orchesterproben | |
| dc.title.alternative | Mehrsprachige und multimodale Interaktionsmuster zwischen Worten und Tönen, Händen und Füßen | |
| dc.type | book | |
| oapen.identifier.doi | 10.1515/9783110779394 | |
| oapen.relation.isPublishedBy | af2fbfcc-ee87-43d8-a035-afb9d7eef6a5 | |
| oapen.relation.isFundedBy | Austrian Science Fund | |
| oapen.relation.isFundedBy | 26ae1657-c58f-4f1d-a392-585ee75c293e | |
| oapen.relation.isbn | 9783110779394 | |
| oapen.relation.isbn | 9783110779295 | |
| oapen.relation.isbn | 9783110779486 | |
| oapen.collection | Austrian Science Fund (FWF) | |
| oapen.imprint | De Gruyter | |
| oapen.pages | 463 | |
| oapen.place.publication | Berlin/Boston | |
| oapen.grant.number | PUB 970-G | |
| dc.relationisFundedBy | 26ae1657-c58f-4f1d-a392-585ee75c293e | |
| dc.seriesnumber | 103 | |
| dc.abstractotherlanguage | This study examines the multilingual and multimodal practices employed by conductors and musicians to communicate and interact with each other during rehearsals of French and Italian symphony orchestras. |
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