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dc.contributor.authorAMITRANO, Giorgio
dc.date.accessioned2025-01-19T10:43:15Z
dc.date.available2025-01-19T10:43:15Z
dc.date.issued2024
dc.date.submitted2024-12-20T12:43:47Z
dc.identifierONIX_20241220_9791221504224_394
dc.identifier2975-0261
dc.identifierhttps://library.oapen.org/handle/20.500.12657/96600
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/148346
dc.description.abstractThis contribution examines Mishima’s first trip abroad, undertaken as a correspondent for the Asahi shinbun between 1951 and 1952. The account of this experience is contained in Aporo no sakazuki, a sort of diary in which Mishima records his experiences at various stages of the journey, from Hawaii to Greece to Rome, through the United States, South America, England, and France. It is a more diligent than passionate account, in which emotions emerge not so much from contact with people or nature, but from encountering art. While Mishima narrates his experiences in America and various European countries with a certain detachment, his senses come alive in Greece. The opportunity to closely contemplate the beauty of artworks previously known only indirectly intensifies his admiration. This experience, pushing Mishima towards a greater awareness of the physical dimension, will have significant repercussions on his career and life.
dc.languageItalian
dc.relation.ispartofseriesConnessioni. Studies in Transcultural History
dc.rightsopen access
dc.subject.otherMishima
dc.subject.otherjourney
dc.subject.otherGreece
dc.subject.otherAntinous
dc.subject.otherNietzsche
dc.subject.otherthema EDItEUR::C Language and Linguistics::CF Linguistics
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies
dc.titleChapter Mishima in viaggio (1951-1952)
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0422-4.13
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221504224
oapen.pages8
oapen.place.publicationFlorence
dc.seriesnumber3
dc.abstractotherlanguageThis contribution examines Mishima’s first trip abroad, undertaken as a correspondent for the Asahi shinbun between 1951 and 1952. The account of this experience is contained in Aporo no sakazuki, a sort of diary in which Mishima records his experiences at various stages of the journey, from Hawaii to Greece to Rome, through the United States, South America, England, and France. It is a more diligent than passionate account, in which emotions emerge not so much from contact with people or nature, but from encountering art. While Mishima narrates his experiences in America and various European countries with a certain detachment, his senses come alive in Greece. The opportunity to closely contemplate the beauty of artworks previously known only indirectly intensifies his admiration. This experience, pushing Mishima towards a greater awareness of the physical dimension, will have significant repercussions on his career and life.


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