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dc.contributor.authorMORABITO, Rosanna
dc.date.accessioned2025-01-20T00:55:00Z
dc.date.available2025-01-20T00:55:00Z
dc.date.issued2024
dc.date.submitted2024-12-20T12:46:49Z
dc.identifierONIX_20241220_9791221504750_462
dc.identifier2612-7679
dc.identifierhttps://library.oapen.org/handle/20.500.12657/96669
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/148405
dc.description.abstractThe activity of Arturo Cronia, one of the founding fathers of Italian Slavistics and in particular of Serbo-Croatistics, has been recalled during a recent conference in Padua (Benacchio, Fin 2019). The study aims to complete the picture reconstructed on that occasion with by examining Cronia's contributions to Serbian studies, a field neglected at the time. Both his professional and popularizing production is here taken into account, evaluating his interests also through the dissertations in Serbian studies assigned by him as well as examining the reactions of the Serbian scholarly community to Cronia’s works.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.rightsopen access
dc.subject.otherHistory of Italian Slavistics
dc.subject.otherArturo Cronia
dc.subject.otherHistory of Italian Serbian studies
dc.subject.otherthema EDItEUR::C Language and Linguistics::CF Linguistics
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
dc.titleChapter Ancora su Arturo Cronia: la letteratura serba
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0475-0.06
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221504750
oapen.pages12
oapen.place.publicationFlorence
dc.seriesnumber57
dc.abstractotherlanguageThe activity of Arturo Cronia, one of the founding fathers of Italian Slavistics and in particular of Serbo-Croatistics, has been recalled during a recent conference in Padua (Benacchio, Fin 2019). The study aims to complete the picture reconstructed on that occasion with by examining Cronia's contributions to Serbian studies, a field neglected at the time. Both his professional and popularizing production is here taken into account, evaluating his interests also through the dissertations in Serbian studies assigned by him as well as examining the reactions of the Serbian scholarly community to Cronia’s works.


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