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dc.contributor.authorMastrangelo, Matilde
dc.date.accessioned2025-01-20T18:15:52Z
dc.date.available2025-01-20T18:15:52Z
dc.date.issued2024
dc.date.submitted2024-12-20T12:44:30Z
dc.identifierONIX_20241220_9791221504224_410
dc.identifier2975-0261
dc.identifierhttps://library.oapen.org/handle/20.500.12657/96617
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/149292
dc.description.abstractIt is widely recognised that in Japan, the depiction of historical figures has been a recurring theme in both oral and written narratives, as well as various theatrical productions. One historical figure that has been a particularly rich source of inspiration is the daimyō Tokugawa Mitsukuni, whose stories have been told across different genres and disseminated through various forms of media. The chronicles of Tokugawa Mitsukuni’s journeys throughout Japan to dispense justice by punishing villains can be traced back to the late 18th century, when they first emerged in kōdan oral storytelling performances. Among the diverse artistic interpretations, this essay focuses specifically on the unique aspects of TV adaptations. It begins with the examination of Mito Kōmon, a television series broadcasted from 1969 to 2011 for six months each year. It then moves on to discuss the new adaptations of 2017 and 2019, which brought the venerable character back to the screen with altered narrative settings. These adaptations provide an intriguing lens through which to explore the evolving portrayal of Tokugawa Mitsukuni and his enduring impact on popular culture.
dc.languageItalian
dc.relation.ispartofseriesConnessioni. Studies in Transcultural History
dc.rightsopen access
dc.subject.otherMito Kōmon
dc.subject.otherTokugawa Mitsukuni
dc.subject.otherHistorical Narrative
dc.subject.otherkōdan
dc.subject.otherterebi dorama
dc.subject.otherthema EDItEUR::C Language and Linguistics::CF Linguistics
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies
dc.titleChapter Tre secoli di Mito Kōmon: la sfida televisiva tra restyling e costruzione dei personaggi
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0422-4.31
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221504224
oapen.pages10
oapen.place.publicationFlorence
dc.seriesnumber3
dc.abstractotherlanguageIt is widely recognised that in Japan, the depiction of historical figures has been a recurring theme in both oral and written narratives, as well as various theatrical productions. One historical figure that has been a particularly rich source of inspiration is the daimyō Tokugawa Mitsukuni, whose stories have been told across different genres and disseminated through various forms of media. The chronicles of Tokugawa Mitsukuni’s journeys throughout Japan to dispense justice by punishing villains can be traced back to the late 18th century, when they first emerged in kōdan oral storytelling performances. Among the diverse artistic interpretations, this essay focuses specifically on the unique aspects of TV adaptations. It begins with the examination of Mito Kōmon, a television series broadcasted from 1969 to 2011 for six months each year. It then moves on to discuss the new adaptations of 2017 and 2019, which brought the venerable character back to the screen with altered narrative settings. These adaptations provide an intriguing lens through which to explore the evolving portrayal of Tokugawa Mitsukuni and his enduring impact on popular culture.


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