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dc.contributor.authorColombo, Matteo
dc.date.accessioned2025-01-22T22:23:51Z
dc.date.available2025-01-22T22:23:51Z
dc.date.issued2024
dc.date.submitted2024-12-20T12:33:26Z
dc.identifierONIX_20241220_9791221503197_167
dc.identifier2704-5919
dc.identifierhttps://library.oapen.org/handle/20.500.12657/96372
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/149706
dc.description.abstractWork plays a central role in the reflections of William Morris. According to Morris, industrial society is based on an organization of labor that debases the human being, reduced to a machine among machines, while art and beauty are destined for a select few. This was not the case in the Middle Ages, where every craftsman was also an artist. Morris then proposes a return to the pre-industrial organizational model, based on an idea of work practical and theoretical, collaborative, creative, in order to restore dignity to workers and allow everyone to experience the beauty of art, even in the humblest of jobs and products made. The paper highlights the main theoretical nodes of the author's thought, highlighting in the conclusion its main critical issues and insights for today.
dc.languageItalian
dc.relation.ispartofseriesStudi e saggi
dc.rightsopen access
dc.subject.otherMorris
dc.subject.otherArts and Crafts
dc.subject.otherUtopian socialism
dc.subject.otherIndustrial society
dc.subject.otherWork and leisure
dc.subject.otherthema EDItEUR::N History and Archaeology::NH History::NHB General and world history
dc.titleChapter Il lavoro come arte: William Morris e la riscoperta del lavoro artigiano
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0319-7.78
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221503197
oapen.pages8
oapen.place.publicationFlorence
dc.seriesnumber257
dc.abstractotherlanguageWork plays a central role in the reflections of William Morris. According to Morris, industrial society is based on an organization of labor that debases the human being, reduced to a machine among machines, while art and beauty are destined for a select few. This was not the case in the Middle Ages, where every craftsman was also an artist. Morris then proposes a return to the pre-industrial organizational model, based on an idea of work practical and theoretical, collaborative, creative, in order to restore dignity to workers and allow everyone to experience the beauty of art, even in the humblest of jobs and products made. The paper highlights the main theoretical nodes of the author's thought, highlighting in the conclusion its main critical issues and insights for today.


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