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dc.contributor.authorBelisario , Maria Laura
dc.date.accessioned2025-01-29T23:13:18Z
dc.date.available2025-01-29T23:13:18Z
dc.date.issued2024
dc.date.submitted2024-12-20T12:49:15Z
dc.identifierONIX_20241220_9791221505047_517
dc.identifier2704-5781
dc.identifierhttps://library.oapen.org/handle/20.500.12657/96725
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/150422
dc.description.abstractWhat does an artistic production today tell about the socio-cultural environment of those who create and act on it? What pedagogical models emerge and what educational and training needs do they refer to? These are the questions that are guiding the research work I’m carrying out during my doctoral career. A work that hypothesizes that art could be the privileged way to access pedagogical models, as representations of the world transmitted from generation to generation within the educational and training contexts of which each individual is an integral part. What, in particular, is presented in these pages is a case study which, as an art form, takes into consideration music, an element present in the daily life of every human being. This is the laboratory of sound expression with natural objects called "Orchestra della Natura”, by Daniele Delfino. The study takes into consideration 135 subjects from childhood to adulthood and, through an integrated approach that sees the intertwining of the phenomenological-hermeneutic approach and Narrative Inquiry, aims to investigate not only the way in which art reveals representations of the world, but also promotes their transformation. The investigation also concerns the identification of the educational and training needs to which the models identified refer, in order to organize pedagogical interventions that can respond to these needs.
dc.languageItalian
dc.relation.ispartofseriesStudies on Adult Learning and Education
dc.rightsopen access
dc.subject.otherArt
dc.subject.otherNatural sounds
dc.subject.otherRepresentations of the world
dc.subject.otherSociocultural context
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JN Education
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JN Education::JNA Philosophy and theory of education
dc.titleChapter Modelli pedagogici nell’esperienza artistica
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0504-7.14
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221505047
oapen.pages10
oapen.place.publicationFlorence
dc.seriesnumber19
dc.abstractotherlanguageWhat does an artistic production today tell about the socio-cultural environment of those who create and act on it? What pedagogical models emerge and what educational and training needs do they refer to? These are the questions that are guiding the research work I’m carrying out during my doctoral career. A work that hypothesizes that art could be the privileged way to access pedagogical models, as representations of the world transmitted from generation to generation within the educational and training contexts of which each individual is an integral part. What, in particular, is presented in these pages is a case study which, as an art form, takes into consideration music, an element present in the daily life of every human being. This is the laboratory of sound expression with natural objects called "Orchestra della Natura”, by Daniele Delfino. The study takes into consideration 135 subjects from childhood to adulthood and, through an integrated approach that sees the intertwining of the phenomenological-hermeneutic approach and Narrative Inquiry, aims to investigate not only the way in which art reveals representations of the world, but also promotes their transformation. The investigation also concerns the identification of the educational and training needs to which the models identified refer, in order to organize pedagogical interventions that can respond to these needs.


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