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dc.contributor.authorArthur, Paul
dc.date.accessioned2025-02-01T03:49:57Z
dc.date.available2025-02-01T03:49:57Z
dc.date.issued2024
dc.date.submitted2024-12-20T12:37:57Z
dc.identifierONIX_20241220_9791221503760_268
dc.identifier2704-5870
dc.identifierhttps://library.oapen.org/handle/20.500.12657/96473
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/150642
dc.description.abstractFrancesco Giambaldi, an Italian sculptor, went to live and work in Paris shortly before the 1900 Universal Exposition, becoming an acquaintance of Rodin and a friend of Anatole France and Ernest La Jeunesse. Man of letters, well introduced into the circle of Bohemian life in Paris, his works included sculptures of figures such as Baudelaire, Gautier, Verlaine, Beethoven, Nietzsche, and Sappho. He collaborated with the journal Cocorico and helped create an innovative means of representing sculptures on postcards known as photosculptogravure. Giambaldi, however, had a second, covert, existence as a highly successful component of the Italian spy network in France. Codenamed Foulard, he infiltrated the anarchists and denounced them directly to the Italian ambassador in Paris. The article sheds light on this curious, somewhat behind the scenes, figure and, for the first time, recognises some twenty-eight of his oeuvres.
dc.languageEnglish
dc.relation.ispartofseriesStrumenti per la didattica e la ricerca
dc.rightsopen access
dc.subject.otherBelle époque
dc.subject.otherphotosculptogravure
dc.subject.otheranarchists
dc.subject.otherthema EDItEUR::N History and Archaeology::NK Archaeology
dc.subject.otherthema EDItEUR::N History and Archaeology::NK Archaeology::NKD Archaeology by period / region
dc.titleChapter A sculptor and a spy: Francesco Giambaldi (1867-1918) from Lecce to Paris
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0376-0.06
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221503760
oapen.pages13
oapen.place.publicationFlorence
dc.seriesnumber225


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