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Réinventer l’art sacré

Le Groupe de Saint-Luc (1919-1945)

dc.contributor.authorNoverraz, Camille
dc.contributor.editorRomont, Vitrocentre
dc.date.accessioned2025-02-19T04:02:16Z
dc.date.available2025-02-19T04:02:16Z
dc.date.issued2024
dc.date.submitted2025-02-18T11:10:06Z
dc.identifierONIX_20250218_9783111383781_102
dc.identifier2748-937X
dc.identifierhttps://library.oapen.org/handle/20.500.12657/98846
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/151389
dc.description.abstractDuring the first half of the 20th century, artists all over Europe investigated religious art and tried to renew its forms of expression. In Switzerland, an artistic society known as the "Groupe de Saint-Luc" was particularly influential. This book examines the identity and positioning of this group, which developed in tension with major themes, from the relationship between the Church and artists to openness to modernity in art and architecture.
dc.languageFrench
dc.relation.ispartofseriesArts du verre / Glass Art / Glaskunst
dc.rightsopen access
dc.subject.other20th century
dc.subject.otherstained glass
dc.subject.otherSwitzerland
dc.subject.otherGeneva group of artists
dc.subject.otherExpressionism
dc.subject.otherAbstraction
dc.subject.otherAlexandre Cingria
dc.subject.otherthema EDItEUR::A The Arts::AB The arts: general topics
dc.subject.otherthema EDItEUR::A The Arts::AF The Arts: art forms::AFP Ceramics, mosaic and glass: artworks
dc.subject.otherthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
dc.subject.otherthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs
dc.subject.otherthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGR Religious and ceremonial art
dc.subject.otherthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGT Public art
dc.titleRéinventer l’art sacré
dc.title.alternativeLe Groupe de Saint-Luc (1919-1945)
dc.typebook
oapen.identifier.doi10.1515/978311138378
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isFundedByc9fff097-a6b0-4c97-afcd-d033f5f27a3d
oapen.relation.isFundedBy07f61e34-5b96-49f0-9860-c87dd8228f26
oapen.relation.isbn9783111383781
oapen.relation.isbn9783111383705
oapen.collectionSwiss National Science Foundation (SNF)
oapen.imprintDe Gruyter
oapen.pages480
oapen.place.publicationBerlin/Boston
oapen.grant.number[...]
dc.relationisFundedBy07f61e34-5b96-49f0-9860-c87dd8228f26
dc.seriesnumber4
dc.abstractotherlanguageDuring the first half of the 20th century, artists all over Europe investigated religious art and tried to renew its forms of expression. In Switzerland, an artistic society known as the "Groupe de Saint-Luc" was particularly influential. This book examines the identity and positioning of this group, which developed in tension with major themes, from the relationship between the Church and artists to openness to modernity in art and architecture.


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