Machiavelli und Dantes „Commedia“
Hermeneutische und digitale Perspektiven jenseits der Imitatio
| dc.contributor.author | Resch, Sascha | |
| dc.date.accessioned | 2025-02-19T04:03:52Z | |
| dc.date.available | 2025-02-19T04:03:52Z | |
| dc.date.issued | 2024 | |
| dc.date.submitted | 2025-02-18T11:05:21Z | |
| dc.identifier | ONIX_20250218_9783111396989_14 | |
| dc.identifier | 2940-0074 | |
| dc.identifier | https://library.oapen.org/handle/20.500.12657/98705 | |
| dc.identifier.uri | https://doab-dev.siscern.org/handle/20.500.12854/151409 | |
| dc.description.abstract | Machiavelli is considered to have been an "admirer" of Dante, but his Asino is also read as satire on Dante. So what is the position of the Commedia in Machiavelli’s poetry? This volume provides a nuanced answer that combines hermeneutic approaches with a computer-based analysis of the "Danticity" of Machiavelli’s tercets. | |
| dc.language | German | |
| dc.relation.ispartofseries | Classicism and Beyond / Il classicismo e oltre | |
| dc.rights | open access | |
| dc.subject.other | Dante Alighieri | |
| dc.subject.other | Niccolò Machiavelli | |
| dc.subject.other | Italian Renaissance | |
| dc.subject.other | digital literary studies | |
| dc.subject.other | thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AD Romance, Italic and Rhaeto-Romanic languages::2ADT Italian | |
| dc.subject.other | thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MD 16th century, c 1500 to c 1599::3MDB Early 16th century c 1500 to c 1550 | |
| dc.subject.other | thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSK Literary studies: fiction, novelists and prose writers | |
| dc.title | Machiavelli und Dantes „Commedia“ | |
| dc.title.alternative | Hermeneutische und digitale Perspektiven jenseits der Imitatio | |
| dc.type | book | |
| oapen.identifier.doi | 10.1515/9783111396989 | |
| oapen.relation.isPublishedBy | af2fbfcc-ee87-43d8-a035-afb9d7eef6a5 | |
| oapen.relation.isFundedBy | 28a93eed-7829-4fa0-8ce6-6f5cd70e0c09 | |
| oapen.relation.isFundedBy | 631ac483-8bae-460f-9987-c3f4e4b98bb5 | |
| oapen.relation.isFundedBy | 48cd3b5b-7986-4b13-ac99-567d8efc0d7c | |
| oapen.relation.isbn | 9783111396989 | |
| oapen.relation.isbn | 9783111370972 | |
| oapen.relation.isbn | 9783111397269 | |
| oapen.imprint | De Gruyter | |
| oapen.pages | 816 | |
| oapen.place.publication | Berlin/Boston | |
| oapen.grant.number | [...] | |
| oapen.grant.number | [...] | |
| dc.relationisFundedBy | 631ac483-8bae-460f-9987-c3f4e4b98bb5 | |
| dc.relationisFundedBy | 48cd3b5b-7986-4b13-ac99-567d8efc0d7c | |
| dc.seriesnumber | 3 | |
| dc.abstractotherlanguage | Machiavelli is considered to have been an "admirer" of Dante, but his Asino is also read as satire on Dante. So what is the position of the Commedia in Machiavelli’s poetry? This volume provides a nuanced answer that combines hermeneutic approaches with a computer-based analysis of the "Danticity" of Machiavelli’s tercets. |
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