Afficher la notice abrégée

dc.contributor.authorGerhardt, Ulrike
dc.date.accessioned2025-02-19T04:05:56Z
dc.date.available2025-02-19T04:05:56Z
dc.date.issued2024
dc.date.submitted2025-02-18T11:04:45Z
dc.identifierONIX_20250218_9783689240127_4
dc.identifierhttps://library.oapen.org/handle/20.500.12657/98690
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/151425
dc.description.abstractHow do contemporary artists remember the post-socialist transformation period? What sources, media and strategies do they draw upon? Ulrike Gerhardt summarizes artistic memory of the Cold War’s conclusion using the newly coined term, "Easternfuturist Memory". This practice of remembrance emerges as a generation-specific phenomenon pointing to the future.
dc.languageGerman
dc.rightsopen access
dc.subject.othercontemporary art
dc.subject.othervideo art
dc.subject.otherEastern Futurism
dc.subject.otherthema EDItEUR::A The Arts::AB The arts: general topics
dc.subject.otherthema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art
dc.subject.otherthema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKN Installation art
dc.subject.otherthema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art
dc.subject.otherthema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts
dc.subject.otherthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
dc.subject.otherthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies::JBCC8 Cultural policies and debates
dc.subject.otherthema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
dc.titleOstfuturistisches Erinnern
dc.title.alternativeDie Transformationszeit in postsozialistischer Videokunst
dc.typebook
oapen.identifier.doi10.1515/978368924012
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isFundedByBundesstiftung zur Aufarbeitung der SED-Diktatur
oapen.relation.isFundedBy14ad7764-6a8d-410b-ae1f-456fd3ef8bb9
oapen.relation.isFundedByea84eb36-74ee-49d5-82af-d3807387e4ae
oapen.relation.isbn9783689240127
oapen.relation.isbn9783689241384
oapen.imprintdG Arts
oapen.pages232
oapen.place.publicationBerlin/Boston
oapen.grant.number[...]
oapen.grant.number[...]
dc.relationisFundedBy14ad7764-6a8d-410b-ae1f-456fd3ef8bb9
dc.relationisFundedByea84eb36-74ee-49d5-82af-d3807387e4ae
dc.abstractotherlanguageHow do contemporary artists remember the post-socialist transformation period? What sources, media and strategies do they draw upon? Ulrike Gerhardt summarizes artistic memory of the Cold War’s conclusion using the newly coined term, "Easternfuturist Memory". This practice of remembrance emerges as a generation-specific phenomenon pointing to the future.


Fichier(s) constituant ce document

FichiersTailleFormatVue

Il n'y a pas de fichiers associés à ce document.

Ce document figure dans la(les) collection(s) suivante(s)

Afficher la notice abrégée

open access
Excepté là où spécifié autrement, la license de ce document est décrite en tant que open access