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dc.contributor.editorDang, Sarah-Mai
dc.contributor.editorvan der Heijden, Tim
dc.contributor.editorGosvig Olesen, Christian
dc.date.accessioned2025-02-19T04:12:25Z
dc.date.available2025-02-19T04:12:25Z
dc.date.issued2024
dc.date.submitted2025-02-18T11:08:52Z
dc.identifierONIX_20250218_9783111082486_76
dc.identifier2629-4540
dc.identifierhttps://library.oapen.org/handle/20.500.12657/98817
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/151470
dc.description.abstractHow has the digital turn shaped the practices of doing film history in research and teaching? From digital archival practices, database-driven search and analysis of film historical collections to the visualization and dissemination of film historical materials online, this book addresses the question of how computational tools and methods have changed how we search, analyze, visualize, publish and think about film history in the digital age.
dc.languageEnglish
dc.relation.ispartofseriesStudies in Digital History and Hermeneutics
dc.rightsopen access
dc.subject.otherFilm history
dc.subject.otherDigital history
dc.subject.otherDigital humanities
dc.subject.otherAudiovisual archives
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
dc.subject.otherthema EDItEUR::N History and Archaeology::NH History::NHA History: theory and methods
dc.titleDoing Digital Film History
dc.title.alternativeConcepts, Tools, Practices
dc.typebook
oapen.identifier.doi10.1515/9783111082486
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isFundedBy38ee4ba5-b208-4f86-9ca8-6dc88c570981
oapen.relation.isbn9783111082486
oapen.relation.isbn9783111081496
oapen.relation.isbn9783111083056
oapen.imprintDe Gruyter Oldenbourg
oapen.pages440
oapen.place.publicationBerlin/Boston
oapen.grant.number[...]
dc.relationisFundedBy38ee4ba5-b208-4f86-9ca8-6dc88c570981
dc.seriesnumber11


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open access
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