Interfiguralität bei Phaedrus
Ein fabelhafter Fall von Selbstinszenierung
| dc.contributor.author | Park, Johannes | |
| dc.date.accessioned | 2025-03-07T13:14:49Z | |
| dc.date.available | 2025-03-07T13:14:49Z | |
| dc.date.issued | 2017 | |
| dc.date.submitted | 2021-12-07T16:16:42Z | |
| dc.identifier | ONIX_20211207_9783110528992_107 | |
| dc.identifier | OCN: 992489917 | |
| dc.identifier | 1862-1139 | |
| dc.identifier | https://library.oapen.org/handle/20.500.12657/51752 | |
| dc.identifier.uri | https://doab-dev.siscern.org/handle/20.500.12854/151894 | |
| dc.description.abstract | In the prologues and epilogues to his Fables, Phaedrus – despite the low reputation of the genre – develops a complex if at times inconsistent poetics. The ambivalences and contradictory nature of his poetics are part of the fabulist`s self-presentation, whereby certain figures, such as Aesop the trickster, the donkey, and even divine figures such as Prometheus play central role. | |
| dc.language | German | |
| dc.relation.ispartofseries | Millennium-Studien / Millennium Studies | |
| dc.rights | open access | |
| dc.subject.classification | thema EDItEUR::D Biography, Literature and Literary studies::DB Ancient, classical and medieval texts | |
| dc.subject.classification | thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval | |
| dc.subject.other | Interfigurality | |
| dc.subject.other | Phaedrus | |
| dc.subject.other | Horace | |
| dc.subject.other | self-staging | |
| dc.title | Interfiguralität bei Phaedrus | |
| dc.title.alternative | Ein fabelhafter Fall von Selbstinszenierung | |
| dc.type | book | |
| oapen.identifier.doi | 10.1515/9783110528992 | |
| oapen.relation.isPublishedBy | af2fbfcc-ee87-43d8-a035-afb9d7eef6a5 | |
| oapen.relation.isbn | 9783110528992 | |
| oapen.relation.isbn | 9783110527568 | |
| oapen.relation.isbn | 9783110528596 | |
| oapen.pages | 258 | |
| oapen.place.publication | Berlin/Boston | |
| dc.seriesnumber | 66 | |
| dc.abstractotherlanguage | In the prologues and epilogues to his Fables, Phaedrus – despite the low reputation of the genre – develops a complex if at times inconsistent poetics. The ambivalences and contradictory nature of his poetics are part of the fabulist`s self-presentation, whereby certain figures, such as Aesop the trickster, the donkey, and even divine figures such as Prometheus play central role. |
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