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dc.contributor.authorGrosoli, Marco
dc.date.accessioned2025-03-07T13:15:54Z
dc.date.available2025-03-07T13:15:54Z
dc.date.issued2018
dc.date.submitted2018-09-21 23:55
dc.date.submitted2019-12-10 14:46:32
dc.date.submitted2020-04-01T12:22:46Z
dc.identifier1001514
dc.identifierOCN: 1041854170
dc.identifierhttp://library.oapen.org/handle/20.500.12657/28445
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/151931
dc.description.abstractThis book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory.
dc.languageEnglish
dc.rightsopen access
dc.subject.otherRohmer
dc.subject.otherauteurs
dc.subject.otherSartre
dc.subject.otherKant
dc.subject.othercriticism
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
dc.titleEric Rohmer's Film Theory (1948-1953)
dc.typebook
oapen.identifier.doi10.5117/9789462985803
oapen.relation.isPublishedByde2ecbe7-1037-4e96-8c3a-5a842d921e04
oapen.relation.isbn9789462985803; 9789048537037
dc.redirect1005711
dc.anonymityDouble-anonymised
dc.peerreviewid018fba68-c4ac-4010-89c6-ff4f0dbcf579
dc.peerreviewtitleDouble blind
dc.openreviewNo
dc.responsibilityPublisher
dc.stagePre-publication
dc.reviewtypeFull text
dc.reviewertypeExternal peer reviewer


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