Eric Rohmer's Film Theory (1948-1953)
| dc.contributor.author | Grosoli, Marco | |
| dc.date.accessioned | 2025-03-07T13:15:54Z | |
| dc.date.available | 2025-03-07T13:15:54Z | |
| dc.date.issued | 2018 | |
| dc.date.submitted | 2018-09-21 23:55 | |
| dc.date.submitted | 2019-12-10 14:46:32 | |
| dc.date.submitted | 2020-04-01T12:22:46Z | |
| dc.identifier | 1001514 | |
| dc.identifier | OCN: 1041854170 | |
| dc.identifier | http://library.oapen.org/handle/20.500.12657/28445 | |
| dc.identifier.uri | https://doab-dev.siscern.org/handle/20.500.12854/151931 | |
| dc.description.abstract | This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory. | |
| dc.language | English | |
| dc.rights | open access | |
| dc.subject.other | Rohmer | |
| dc.subject.other | auteurs | |
| dc.subject.other | Sartre | |
| dc.subject.other | Kant | |
| dc.subject.other | criticism | |
| dc.subject.other | thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism | |
| dc.title | Eric Rohmer's Film Theory (1948-1953) | |
| dc.type | book | |
| oapen.identifier.doi | 10.5117/9789462985803 | |
| oapen.relation.isPublishedBy | de2ecbe7-1037-4e96-8c3a-5a842d921e04 | |
| oapen.relation.isbn | 9789462985803; 9789048537037 | |
| dc.redirect | 1005711 | |
| dc.anonymity | Double-anonymised | |
| dc.peerreviewid | 018fba68-c4ac-4010-89c6-ff4f0dbcf579 | |
| dc.peerreviewtitle | Double blind | |
| dc.openreview | No | |
| dc.responsibility | Publisher | |
| dc.stage | Pre-publication | |
| dc.reviewtype | Full text | |
| dc.reviewertype | External peer reviewer |
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