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La violenza nel teatro contemporaneo

Lingue e linguaggi a confronto

dc.contributor.editorBellomi, Paola
dc.contributor.editorFrancellini, Carla
dc.contributor.editorLenzi, Maria Beatrice
dc.contributor.editorMilani, Ada
dc.contributor.editorScaffai, Niccolò
dc.date.accessioned2025-03-07T13:39:35Z
dc.date.available2025-03-07T13:39:35Z
dc.date.issued2023
dc.date.submitted2024-04-02T15:53:01Z
dc.identifierONIX_20240402_9791221502787_16
dc.identifierOCN: 1428748633
dc.identifier2975-0229
dc.identifierhttps://library.oapen.org/handle/20.500.12657/89276
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/152777
dc.description.abstractThe volume aims to investigate the concept of ‘violence’ and its representation in different theatrical genres, both in original works and in adaptations that have been written and staged between the 20th and 21st centuries. The book offers a wide-ranging reflection on this theme and the mechanisms implemented in playwriting to represent the different forms and voices of violence imposed and suffered.
dc.languageItalian
dc.relation.ispartofseriesStudi di letterature moderne e comparate
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
dc.subject.otherviolence and theatre
dc.subject.otherviolence and body
dc.subject.otherviolence and culture
dc.subject.otherviolence and power
dc.subject.otherviolence and censorship
dc.titleLa violenza nel teatro contemporaneo
dc.title.alternativeLingue e linguaggi a confronto
dc.typebook
oapen.identifier.doi10.36253/979-12-215-0278-7
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221502787
oapen.relation.isbn9791221502770
oapen.relation.isbn9791221502794
oapen.relation.isbn9791221502800
oapen.imprintUSiena Press
oapen.pages152
oapen.place.publicationFlorence
dc.seriesnumber3
dc.abstractotherlanguageThe volume aims to investigate the concept of ‘violence’ and its representation in different theatrical genres, both in original works and in adaptations that have been written and staged between the 20th and 21st centuries. The book offers a wide-ranging reflection on this theme and the mechanisms implemented in playwriting to represent the different forms and voices of violence imposed and suffered.


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