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dc.contributor.authorPAVESIO, Monica
dc.date.accessioned2025-03-07T13:55:23Z
dc.date.available2025-03-07T13:55:23Z
dc.date.issued2020
dc.date.submitted2022-06-01T12:17:35Z
dc.identifierONIX_20220601_9788855181501_443
dc.identifier2704-5919
dc.identifierhttps://library.oapen.org/handle/20.500.12657/56260
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/153299
dc.description.abstractIt is well known that in France the Spanish comedy is not considered a model to be imitated, yet, reading the peritexts (dédicace, avis au lecteur, épître) of the 17th Century French adapters and comparing the imitations with the sources, we can see attitudes that are not always connected to preconceived ideas about the superiority of génie français, both in the consideration that the playwrights reveal towards contemporary Spanish plays, and in their way of adapting them. After outlining the duration and extent of the phenomenon of the seventeenth-century comédie à l'espagnole, the study analyzes the pièces and the peritexts, following two paths: the first investigates the real knowledge and opinion that the French dramatists had of Spanish dramaturgy; the second reconstructs and analyzes the translation methods that, in their forewords, the adapters claim they want to use to make Spanish theatrical texts usable in France, and which they often disregard in their pièces.
dc.languageItalian
dc.relation.ispartofseriesStudi e saggi
dc.rightsopen access
dc.subject.othercomédie à l'espagnole
dc.subject.otherparatexts
dc.subject.othertranslation methods
dc.titleChapter Gli Avis au lecteur delle comédies (e tragi-comédies) à l’espagnole: spunti per la definizione di un nuovo genere?
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-150-1.5
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855181501
oapen.pages18
oapen.place.publicationFlorence
dc.seriesnumber209


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