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dc.contributor.authorAntonucci, Fausta
dc.date.accessioned2025-03-07T14:04:33Z
dc.date.available2025-03-07T14:04:33Z
dc.date.issued2020
dc.date.submitted2022-06-01T12:17:14Z
dc.identifierONIX_20220601_9788855181501_428
dc.identifier2704-5919
dc.identifierhttps://library.oapen.org/handle/20.500.12657/56245
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/153579
dc.description.abstractIn this paper, I intend to find out which texts inspired the libretto by Francesco Silvani, Il principe selvaggio (1695), whose events, according to the author, are taken "from the Fasti of Castile". The examination of the plot leads to exclude the existence of a historiographic "source" as the mention of the Fasti would suggest, and to hypothesize instead a multiple literary intertextuality. It seems that Silvani was reminiscent of theatrical texts such as El príncipe de los montes, by Juan Pérez de Montalbán, Virtudes vencen señales, by Luis Vélez de Guevara, and a constellation of works by Pedro Calderón de la Barca (El monstruo de los jardines, La hija del aire, Hado y divisa de Leonido y de Marfisa).
dc.languageItalian
dc.relation.ispartofseriesStudi e saggi
dc.rightsopen access
dc.subject.otherSilvani
dc.subject.otherMultiple intertextuality
dc.subject.otherCalderón
dc.subject.otherVélez
dc.subject.otherPérez de Montalbán
dc.titleChapter Il principe selvaggio (1695) de Francesco Silvani: una curiosa taracea de motivos del teatro áureo español
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-150-1.18
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855181501
oapen.pages12
oapen.place.publicationFlorence
dc.seriesnumber209


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