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dc.contributor.authorPlate, Liedeke
dc.date.accessioned2025-03-07T15:07:27Z
dc.date.available2025-03-07T15:07:27Z
dc.date.issued2023
dc.date.submitted2023-10-12T13:13:51Z
dc.identifierONIX_20231012_9789048560110_5
dc.identifierhttps://library.oapen.org/handle/20.500.12657/76679
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/155679
dc.description.abstractThis essay takes its point of departure in images of the victims of the 2023 Turkish-Syrian earthquake. It examines their rhetoric, comparing them to those of Alan Kurdi, the Syrian toddler who washed ashore on a Turkish beach in 2015, and contrasting with the narrative techniques employed by two contemporary novels. It combines cultural critique with an inquiry into the role of art as an agent of change to imagine new ways of doing citizenship and promoting social change in times of crisis, in line with Rosemarie Buikema’s mission to develop new and multilayered scenarios for change and transnational justice.
dc.languageDutch
dc.rightsopen access
dc.subject.otherethics of representation
dc.subject.otherphotography
dc.subject.otherliterature
dc.titleChapter Nogmaals kijken naar de pijn van anderen, of: de uitdaging van ‘wij ’
dc.typechapter
oapen.identifier.doi10.5117/9789048560110_plate
oapen.relation.isPublishedByde2ecbe7-1037-4e96-8c3a-5a842d921e04
oapen.relation.isPartOfBook761b628d-ee6d-4c62-8609-e30a5a7395aa
oapen.relation.isFundedByb586072e-2e5d-469f-8332-217c0beb5b08
oapen.relation.isFundedBy4d864437-7722-4c66-b80f-140a98d4bca9
oapen.relation.isbn9789048560110
oapen.relation.isbn9789048560127
oapen.pages9
oapen.place.publicationAmsterdam
oapen.grant.number[...]
oapen.grant.number[...]
dc.relationisFundedByb586072e-2e5d-469f-8332-217c0beb5b08
dc.relationisFundedBy4d864437-7722-4c66-b80f-140a98d4bca9
dc.abstractotherlanguageThis essay takes its point of departure in images of the victims of the 2023 Turkish-Syrian earthquake. It examines their rhetoric, comparing them to those of Alan Kurdi, the Syrian toddler who washed ashore on a Turkish beach in 2015, and contrasting with the narrative techniques employed by two contemporary novels. It combines cultural critique with an inquiry into the role of art as an agent of change to imagine new ways of doing citizenship and promoting social change in times of crisis, in line with Rosemarie Buikema’s mission to develop new and multilayered scenarios for change and transnational justice.


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