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dc.contributor.authorOuzounian, Gascia
dc.date.accessioned2025-03-07T15:21:48Z
dc.date.available2025-03-07T15:21:48Z
dc.date.issued2023
dc.date.submitted2023-01-27T13:44:38Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/60925
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/156145
dc.description.abstractChapter 10: This chapter examines sonic memories of the Armenian Genocide, drawing on survivors’ earwitness testimonies (testimonies describing auditory and sonic experiences of the Genocide). While visual evidence predominates in studies of genocide, this chapter makes the claim that sonic memory—as a site of historical, cultural, and affective knowledge, and as a type of memory that can be individually and collectively formed—can deepen our understanding of the historical aspects of genocide, as well as the social, psychological, and emotional dimensions of genocide. In relation to contested histories, attending to sonic memories can also be a form of ‘counterlistening’: listening against official narratives of genocide and, in the case of the Armenian Genocide, against the narrative of genocide denial that continues to be maintained by the Turkish state. This chapter suggests that the voices of Armenian Genocide victims—concealed and denied for over a century by Turkey—can nevertheless be excavated and listened to via the sonic memories of genocide survivors. In engaging with sonic memories, it draws on oral testimonies collected by Verjiné Svazlian, an Armenian ethnographer who walked from village to village in Soviet Armenia for a period of decades, collecting, recording, and transcribing some 700 survivors’ testimonies when it was not safe to do so. It contends with Svazlian’s original acts of counterlistening and ‘soundwalking’ and how they make possible a more shared or public form of listening today. More broadly, this chapter considers how sound and listening formed a part of the injuries as well as the violent tactics of the Armenian Genocide; and asks how listening to genocide can reshape our understanding of genocide and its effects.
dc.languageEnglish
dc.rightsopen access
dc.subject.otherJacek; Smolicki; Soundwalking; Space; Technologies; Through; Time
dc.subject.otherthema EDItEUR::A The Arts::AV Music::AVX Music recording and reproduction
dc.subject.otherthema EDItEUR::S Sports and Active outdoor recreation::SZ Active outdoor pursuits::SZC Walking, hiking, trekking
dc.subject.otherthema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TT Other technologies and applied sciences::TTA Acoustic and sound engineering
dc.titleChapter 10 ‘Our voices reached the sky’
dc.title.alternativesonic memories of the Armenian Genocide
dc.typechapter
oapen.identifier.doi10.4324/9781003193135-11
oapen.relation.isPublishedByfa69b019-f4ee-4979-8d42-c6b6c476b5f0
oapen.relation.isPartOfBook2f84a3ee-9089-4ccf-bfdb-bc85bc3b3c42
oapen.relation.isPartOfBooka9f10e95-9ab9-493a-ad69-3842984f54b2
oapen.relation.isFundedBy4a1ea0f2-e46e-4025-bbc3-e853f4181d49
oapen.relation.isFundedBy3b2bf139-b554-4575-8673-8885d93dbfac
oapen.relation.isbn9781032044248
oapen.relation.isbn9781032044224
oapen.collectionEuropean Research Council (ERC)
oapen.imprintRoutledge
oapen.pages18
oapen.grant.number865032
dc.relationisFundedBy4a1ea0f2-e46e-4025-bbc3-e853f4181d49
dc.grantprojectSONCITIES


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