Trafülkantun
cantos cruzados entre Garrido y Curilem
| dc.contributor.author | Jordán, Laura | |
| dc.contributor.author | Salazar, Andrea | |
| dc.date.accessioned | 2025-03-07T15:23:26Z | |
| dc.date.available | 2025-03-07T15:23:26Z | |
| dc.date.issued | 2022 | |
| dc.date.submitted | 2022-12-08T10:41:54Z | |
| dc.identifier | https://library.oapen.org/handle/20.500.12657/59877 | |
| dc.identifier.uri | https://doab-dev.siscern.org/handle/20.500.12854/156199 | |
| dc.description.abstract | Trafülkantun is an eclectic study of the relationship between two exceptional figures around the middle of the 20th century: Pablo Garrido Vargas (1905-1982), jazz pioneer, historian of the cueca and leader for the labor rights of musicians and artists, along with Juan Curilem Millanguir (1912-1985), Mapuche intellectual descendant of the Longko family, state professor, musician and choral director, president of the political organization Unión Araucana. Their mutual work shows an unexplored collaborative, intercultural and anti-colonial power, very early for the time. The structure of the book consists of a critical study, the commented edition of five unpublished texts by both authors and seven ülkantun/ songs compiled by Curilem plus annexes. | |
| dc.language | Spanish | |
| dc.rights | open access | |
| dc.subject.other | Academic music, Mapuche singing, musicology, ancestral art | |
| dc.subject.other | thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology | |
| dc.title | Trafülkantun | |
| dc.title.alternative | cantos cruzados entre Garrido y Curilem | |
| dc.type | book | |
| oapen.identifier.doi | 10.26448/ae9789566095682.53 | |
| oapen.relation.isPublishedBy | 816ec0e1-0591-4955-8512-dcec49f798d8 | |
| oapen.pages | 197 | |
| oapen.place.publication | Santiago, Chile |
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