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dc.contributor.editorHÁNOVÁ, Markéta
dc.contributor.editorKadoi, Yuka
dc.contributor.editorWille, Simone
dc.date.accessioned2025-03-07T16:06:10Z
dc.date.available2025-03-07T16:06:10Z
dc.date.issued2024
dc.date.submitted2024-01-30T13:07:26Z
dc.identifierOCN: 1419649756
dc.identifierhttps://library.oapen.org/handle/20.500.12657/87367
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/157553
dc.description.abstractMuseum collections of Asian art in Central Europe. Rather than centering on the well-known collections in Western European and North American museums, Collecting Asian Art turns to museum collections of Asian art in Central Europe which emerged from the late 19th century onwards. Highlighting the dimensions of Central European connectedness, this volume explores how these collections evolved and changed under changing cultural and political conditions from the pre-World War I to the post-World War II periods. With a primary focus on collections of East Asian, South Asian, and West Asian art in Vienna, Prague, Berlin, Warsaw, Kraków, Budapest, and Ljubljana, it outlines the transregional connections and networks that gradually developed. Collecting Asian Art locates Asian art across the twentieth-century in Central Europe via discourse and ideology, and discusses key collections and the way individual collectors built their networks. It thus explores transregional connections that developed through collecting activities and strategies in the prewar, interwar and postwar eras. Contributors also examine the personal connections between a group of Indologists from postwar Prague and modernist Indian artists from the early 1950s to the 1980s and also discuss the systematic archiving of East Asian art collections in Slovenia. A concluding conversation looks at colonisation and decolonisation from a broader perspective by approaching it through recent art historical discussions on the global dimensions of modernism. By defining the region through its external relationships and its entanglements with regions across Asia rather than as a self-contained unit, the contributions in this volume outline how these transregional connections and networks evolved and changed over time, thus highlighting their singularity in comparison to developments in Western Europe. Based on recent research, Collecting Asian Art reveals neglected sources while reinterpreting well-known ones. Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
dc.description.abstractContributors: Zdenka Klimtová (National Gallery in Prague); Agnieszka Kluczewska-Wójcik (Polish Institute of World Art Studies); Partha Mitter (University of Sussex); Michaela Pejčochová (National Gallery in Prague); Uta Rahman Steinert (Staatliche Museen zu Berlin); Iván Szántó (Eötvös Loránd University); Nataša Vampelj Suhadolnik (University of Ljubljana); Johannes Wieninger (MAK – Museum of Applied Arts); Tomáš Winter (Czech Academy of Sciences).
dc.languageEnglish
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
dc.subject.classificationthema EDItEUR::1 Place qualifiers::1F Asia::1FP East Asia, Far East
dc.subject.otherAsian Art;Modern Art;Asian Art Collections;Museum Collections;Transregional approach;Post-war art developments;Post-colonial art history
dc.titleCollecting Asian Art
dc.title.alternativeCultural Politics and Transregional Networks in Twentieth-Century Central Europe
dc.typebook
oapen.identifier.doi10.11116/9789461665409
oapen.relation.isPublishedBy9e472607-bec3-4b15-ba3f-f05039722389
oapen.relation.isFundedByAustrian Science Fund (FWF)
oapen.relation.isFundedByKU Leuven
oapen.relation.isFundedBy0bdd30b8-28cc-4e2d-bd69-6cabb77b36d4
oapen.relation.isbn9789462703780
oapen.collectionAustrian Science Fund (FWF)
oapen.collectionKnowledge Unlatched (KU)
oapen.collectionKU Open Services
oapen.pages273
oapen.place.publicationLeuven
dc.relationisFundedBy0bdd30b8-28cc-4e2d-bd69-6cabb77b36d4
dc.relationisFundedBy608fbdcb-bd0a-4d50-9a26-902224692f76
dc.abstractotherlanguageContributors: Zdenka Klimtová (National Gallery in Prague); Agnieszka Kluczewska-Wójcik (Polish Institute of World Art Studies); Partha Mitter (University of Sussex); Michaela Pejčochová (National Gallery in Prague); Uta Rahman Steinert (Staatliche Museen zu Berlin); Iván Szántó (Eötvös Loránd University); Nataša Vampelj Suhadolnik (University of Ljubljana); Johannes Wieninger (MAK – Museum of Applied Arts); Tomáš Winter (Czech Academy of Sciences).
dc.grantprojectP29536-G26


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