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dc.contributor.authorNeto, Nefatalin Gonçalves
dc.date.accessioned2025-03-07T16:12:43Z
dc.date.available2025-03-07T16:12:43Z
dc.date.issued2023
dc.date.submitted2023-08-03T15:04:58Z
dc.identifierONIX_20230803_9791221501001_65
dc.identifier2612-7970
dc.identifierhttps://library.oapen.org/handle/20.500.12657/74869
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/157761
dc.description.abstractCain resumes the biblical story of the genesiacs brothers to recount it in a heterodox way. Based on the canonical biblical texts, the ethical perspective of David Maria Sassoli and in ideological discourses, José Saramago (re)reads the life of the murderous brother by a desacralizing bias, establishing a process of discursive reorganization of the Bible and, consequently, of Christianity – an ideology rooted in the social thought that the writer Portuguese intends to resolve. Our proposal is to probe such ethical assumptions questioned by the novel. Thus, we will focus on the figure of the protagonist to reflect on postures, symbolic representations, narrative functions and ideological expressiveness. Let us, through our reading, decommthe kaleidoscopic clash that the skilled narrator stages to present an ethical proposal in dialogue with renewing ideals of today's society.
dc.languageItalian
dc.relation.ispartofseriesLibere carte
dc.rightsopen access
dc.subject.otherCain
dc.subject.otherbiblical narrative
dc.subject.otherparodic rereading
dc.subject.otherethical values
dc.subject.otherthema EDItEUR::J Society and Social Sciences
dc.titleChapter Saramago e i valori di Sassoli: del mitico e dell’etico in Caino
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0100-1.23
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isPartOfBook43f35720-f09c-4272-8853-78eff28eb251
oapen.relation.isbn9791221501001
oapen.pages15
oapen.place.publicationFlorence
dc.seriesnumber15
dc.abstractotherlanguageCain resumes the biblical story of the genesiacs brothers to recount it in a heterodox way. Based on the canonical biblical texts, the ethical perspective of David Maria Sassoli and in ideological discourses, José Saramago (re)reads the life of the murderous brother by a desacralizing bias, establishing a process of discursive reorganization of the Bible and, consequently, of Christianity – an ideology rooted in the social thought that the writer Portuguese intends to resolve. Our proposal is to probe such ethical assumptions questioned by the novel. Thus, we will focus on the figure of the protagonist to reflect on postures, symbolic representations, narrative functions and ideological expressiveness. Let us, through our reading, decommthe kaleidoscopic clash that the skilled narrator stages to present an ethical proposal in dialogue with renewing ideals of today's society.


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