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dc.contributor.editorvan Eechoud, Mireille
dc.date.accessioned2025-03-07T16:19:12Z
dc.date.available2025-03-07T16:19:12Z
dc.date.issued2014
dc.date.submitted2014-12-31 23:55:55
dc.date.submitted2019-12-10 14:46:32
dc.date.submitted2020-04-01T14:40:42Z
dc.identifier503030
dc.identifierOCN: 899277582
dc.identifierhttp://library.oapen.org/handle/20.500.12657/33342
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/157979
dc.description.abstractTechnological and economic concerns have long been the drivers of debate about copyright. But diverse disciplines in the humanities - including literary studies, aesthetics, film studies, and the philosophy of art - have a great deal to offer if we wish to establish a more nuanced and useful conception of copyright and authorship. This volume brings together scholars from a range of disciplines to explore the challenges inherent in translating aesthetics and creativity studies to concepts of copyright, especially as longstanding approaches are troubled by the rise of the digital.
dc.languageEnglish
dc.rightsopen access
dc.subject.otherauthorship theory
dc.subject.othercopyright law
dc.subject.othercreativity studies
dc.subject.otherCopyright
dc.subject.otherthema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law
dc.titleThe Work of Authorship
dc.typebook
oapen.identifier.doi10.26530/OAPEN_503030
oapen.relation.isPublishedByde2ecbe7-1037-4e96-8c3a-5a842d921e04


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