Afficher la notice abrégée

dc.contributor.authorDavy, Kate
dc.date.accessioned2025-03-07T16:49:00Z
dc.date.available2025-03-07T16:49:00Z
dc.date.issued2010
dc.date.submitted2023-07-27T13:59:42Z
dc.identifierONIX_20230727_9780472904099_63
dc.identifierOCN: 760168373
dc.identifierhttps://library.oapen.org/handle/20.500.12657/64172
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/158946
dc.description.abstractOut of a small, hand-to-mouth women's theater collective called the WOW Café located on the lower east side of Manhattan there emerged some of the most important theater troupes and performance artists of the 1980s and 1990s. Appearing on the cultural scene at a critical turning point in both the women's movement and feminist theory, WOW put a witty, hilarious, gender-bending, and erotically charged aesthetic on stage for women in general and lesbians in particular. Featured performers included the Split Britches Company, the Five Lesbian Brothers, Carmelita Tropicana, Holly Hughes, Lisa Kron, Deb Margolin, Reno, Peggy Shaw, and Lois Weaver. For three decades the WOW Café Theatre has nurtured fledgling women writers, designers, and performers who continue to create important performance work. Lady Dicks and Lesbian Brothers offers the first critical history of the WOW Café, based on dozens of interviews with WOW performers and other participants, newspaper reviews of the earliest productions, and unpublished photographs, and suggests why the collective has had such amazing longevity and an enduring legacy.
dc.languageEnglish
dc.rightsopen access
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups
dc.subject.otherTheater and Performance
dc.subject.otherGender Studies - Women's Studies
dc.subject.otherSexuality Studies
dc.subject.otherAmerican Studies
dc.titleLady Dicks and Lesbian Brothers
dc.title.alternativeStaging the Unimaginable at the WOW Cafe Theater
dc.typebook
oapen.identifier.doi10.3998/mpub.192640
oapen.relation.isPublishedByb7359529-e5f7-4510-a59f-d7dafa1d4d17
oapen.relation.isFundedByBig Ten Academic Alliance
oapen.relation.isFundedByb5941080-3f20-4864-95c6-753acff7c9f4
oapen.relation.isbn9780472904099
oapen.relation.isbn9780472051229
oapen.collectionBig Ten Open Books
oapen.place.publicationAnn Arbor
oapen.grant.number[...]
oapen.grant.programBig Ten Open Books
peerreview.review.typeFull text
peerreview.anonymityDouble-anonymised
peerreview.reviewer.typeExternal peer reviewer
peerreview.review.stagePre-publication
peerreview.open.reviewNo
peerreview.publish.responsibilityScientific or Editorial Board
peerreview.idd98bf225-990a-4ac4-acf4-fd7bf0dfb00c
dc.relationisFundedByb5941080-3f20-4864-95c6-753acff7c9f4
dc.grantprojectBig Ten Open Books — Gender and Sexuality Studies Collection
peerreview.titleExternal Review of Whole Manuscript


Fichier(s) constituant ce document

FichiersTailleFormatVue

Il n'y a pas de fichiers associés à ce document.

Ce document figure dans la(les) collection(s) suivante(s)

Afficher la notice abrégée

open access
Excepté là où spécifié autrement, la license de ce document est décrite en tant que open access