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dc.contributor.authorDe Benedictis, Raffaele
dc.date.accessioned2025-03-07T16:53:46Z
dc.date.available2025-03-07T16:53:46Z
dc.date.issued2024
dc.date.submitted2023-08-28T09:17:36Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/75835
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/159082
dc.description.abstractIn this study discourse is considered as the act of communication that analyzes its internal dynamic process mediating between the intention of the author embedded in the text, the intention of the text, and various, hypothetical ways in which the receiver may orient a textual discourse. It is a phenomenological model because meaning is generated by the interplay of linguistic and non-linguistic influences. In this instance, a semiotics of multimodality in discourse can prove its efficacy as it steers the reader primarily toward “a general syntax of discursive operations” in that the “universe of signification” is seen as a “praxis rather than as a stable set of fixed forms” of modalities.
dc.languageEnglish
dc.rightsopen access
dc.subject.othersemiotics, multimodality, divine comedy, Literary Criticism, Multiliteracy, language-as-writing, signification
dc.titleChapter 2 The Semiotics of Multimodality in Discourse
dc.typechapter
oapen.identifier.doi10.4324/9781003397298-2
oapen.relation.isPublishedByfa69b019-f4ee-4979-8d42-c6b6c476b5f0
oapen.relation.isPartOfBookA Semiotics of Multimodality and Signification in the Divine Comedy
oapen.relation.isFundedBy73ab7880-607d-40a2-b3df-6b378535b01e
oapen.relation.isFundedBye2ee76d0-068c-4dde-ad41-66024722648d
oapen.relation.isbn9781032497334
oapen.relation.isbn9781032501925
oapen.imprintRoutledge
oapen.pages37
dc.relationisFundedBye2ee76d0-068c-4dde-ad41-66024722648d


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