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dc.contributor.authorDe Grandis, Mario
dc.contributor.authorcostantini, filippo
dc.date.accessioned2025-03-07T17:12:34Z
dc.date.available2025-03-07T17:12:34Z
dc.date.issued2021
dc.date.submitted2022-06-01T12:24:07Z
dc.identifierONIX_20220601_9788855185066_618
dc.identifier2704-5919
dc.identifierhttps://library.oapen.org/handle/20.500.12657/56433
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/159667
dc.description.abstractTibet has long been orientalized in fictional representations. Taking as a case study two texts by Alai, this paper investigates how a traditional Tibetan cultural trait–the fish taboo–is mobilized to complicate the representation of Tibetan culture. By describing the fish taboo Alai points at Tibet's cultural specificity, which in virtue of its exoticism can catch the attention of non-Tibetan readers. At the same time, however, Alai equips his characters with psychological depth, showing their contrasting inner emotions of attraction and repulsion toward fish. In this sense, Alai subtly points at the fallacies of flat representations of Tibet, thus dismantling them from within.
dc.languageEnglish
dc.relation.ispartofseriesStudi e saggi
dc.rightsopen access
dc.subject.otherChinese ethnic minority literature
dc.subject.otherAlai
dc.subject.otherdisgust studies
dc.titleChapter Negotiating with the tradition: representations of fish in Alai’s fictional writing
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-506-6.11
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855185066
oapen.pages15
oapen.place.publicationFlorence
dc.seriesnumber233


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