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dc.contributor.authorFernando, Jeremy
dc.contributor.editorDe Francesco, Alessandro
dc.date.accessioned2025-03-07T17:28:40Z
dc.date.available2025-03-07T17:28:40Z
dc.date.issued2015
dc.date.submitted2019-03-26 23:55
dc.date.submitted2020-01-23 14:09:07
dc.date.submitted2020-04-01T10:37:58Z
dc.identifier1004693
dc.identifierOCN: 1100533240
dc.identifierhttp://library.oapen.org/handle/20.500.12657/25402
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/160155
dc.description.abstractWriting Art is an attempt to respond to the possibilities of art, the potentialities in art, to the possible event that art is. Keeping in mind that events are always already potentially beyond us, are quite possibly unknown, unknowable. In this book, Jeremy Fernando meditates on art through a response to specifics works, to the specificity of the craft, tekhnē, of each work; offering a reading of specific works of photography (Photovoice sg), poetry (Tammy Ho Lai-Ming), installation art (Charles Lim), film (Tan Chui Mui), conceptual art (ZXEROKOOL), and charcoal drawings (Yanyun Chen). Through writing. For, to write is always also to scribble, to scratch, tear, quite possibly open — and perhaps more importantly, to open the possibility of a relation with another, to the unknowability that is the other. At the risk that this writing causes one to writhe, to be torn, to cry out; even if the very one is himself.
dc.languageItalian
dc.languageEnglish
dc.rightsopen access
dc.subject.otherliterary theory
dc.subject.otherthema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art
dc.titleWriting Art
dc.typebook
oapen.identifier.doi10.21983/P3.0228.1.00
oapen.relation.isPublishedBy12970da4-0116-4486-b8be-fc9756703ab1
oapen.relation.isbn9789491914058
oapen.collectionScholarLed
oapen.imprintUitgeverij
oapen.pages124
oapen.place.publicationBrooklyn, NY


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