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dc.contributor.editorStauffer, Isabelle
dc.date.accessioned2025-03-07T17:30:33Z
dc.date.available2025-03-07T17:30:33Z
dc.date.issued2024
dc.date.submitted2024-11-06T10:58:51Z
dc.identifierONIX_20241106_9783110774337_102
dc.identifier2567-1219
dc.identifierhttps://library.oapen.org/handle/20.500.12657/94395
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/160212
dc.description.abstractIn light of the strong media competition generated by the internet and digital television, two older and similarly endangered media formats, literature and cinema, are increasingly reflecting on their potential and limits in a process of reciprocal mirroring. This volume looks at contemporary novels and films that metafictionally discuss the other medium to discuss the forms and functions of this increasingly frequent intermedial reflexivity.
dc.languageGerman
dc.relation.ispartofseriesGegenwartsliteratur
dc.rightsopen access
dc.subject.otherCinema
dc.subject.otherself-reflection
dc.subject.otherremediation
dc.subject.otherdigitalization
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000
dc.titleLiteratur und Film im Spiegel des Digitalen
dc.title.alternativeIntermediale Reflexivität in der Gegenwart
dc.typebook
oapen.identifier.doi10.1515/978311077433
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isbn9783110774337
oapen.relation.isbn9783110774269
oapen.relation.isbn9783110774467
oapen.imprintDe Gruyter
oapen.pages262
oapen.place.publicationBerlin/Boston
dc.abstractotherlanguageIn light of the strong media competition generated by the internet and digital television, two older and similarly endangered media formats, literature and cinema, are increasingly reflecting on their potential and limits in a process of reciprocal mirroring. This volume looks at contemporary novels and films that metafictionally discuss the other medium to discuss the forms and functions of this increasingly frequent intermedial reflexivity.


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