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dc.contributor.authorRuckdeschel, Annabel
dc.date.accessioned2025-03-07T17:32:21Z
dc.date.available2025-03-07T17:32:21Z
dc.date.issued2024
dc.date.submitted2024-11-06T10:50:16Z
dc.identifierONIX_20241106_9783422801042_97
dc.identifierhttps://library.oapen.org/handle/20.500.12657/94390
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/160264
dc.description.abstractIt is a frequently told story that Paris was the world center of art at the beginning of the 20th century. This book asks what contribution exhibitions between 1921 and 1946 made to the development and dissemination of this narrative. It develops a transcultural perspective on the exhibitions in the cafés of the Montparnasse district of Paris and the international exhibitions of the "École de Paris".
dc.languageGerman
dc.rightsopen access
dc.subject.otherabstraction
dc.subject.otherEcole de Paris
dc.subject.otherart market
dc.subject.otherthema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art
dc.titleÉcole de Paris global
dc.title.alternativeDie Erfindung von Paris als Kunstzentrum in internationalen Ausstellungen zwischen 1921–1946
dc.typebook
oapen.identifier.doi10.1515/9783422801042
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isbn9783422801042
oapen.relation.isbn9783422990678
oapen.imprintDeutscher Kunstverlag (DKV)
oapen.pages496
oapen.place.publicationBerlin/Boston
dc.abstractotherlanguageIt is a frequently told story that Paris was the world center of art at the beginning of the 20th century. This book asks what contribution exhibitions between 1921 and 1946 made to the development and dissemination of this narrative. It develops a transcultural perspective on the exhibitions in the cafés of the Montparnasse district of Paris and the international exhibitions of the "École de Paris".


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