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dc.contributor.authorSosna, Nina
dc.date.accessioned2025-03-07T18:29:27Z
dc.date.available2025-03-07T18:29:27Z
dc.date.issued2018
dc.date.submitted2022-06-01T12:08:10Z
dc.identifierONIX_20220601_9788864537078_78
dc.identifier2704-5846
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55895
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/162029
dc.description.abstractThe paper examines several examples of visualization common to the contemporary Russian scene, which 1) follow the long tradition of elaborating texts; 2) are developed on the border between the science of geography and visual art; 3) belong to the sphere of amateur production that by trial and error method propose a special 3D filming as a proper way to present an archive. Among other projects concerned with questions of memory work and its visual presentation, it is the latter one that orients itself towards the possibilities of the future.
dc.languageEnglish
dc.relation.ispartofseriesProceedings e report
dc.rightsopen access
dc.subject.other3D Filming
dc.subject.otherVisualization
dc.subject.otherRussia
dc.titleChapter 3D Visualization: Revealing Imagery Space by Technological Parameter
dc.typechapter
oapen.identifier.doi10.36253/978-88-6453-707-8.42
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864537078
oapen.pages6
oapen.place.publicationFlorence
dc.seriesnumber118


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