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dc.contributor.authorZamorska, Magdalena Anna
dc.date.accessioned2025-03-07T18:37:14Z
dc.date.available2025-03-07T18:37:14Z
dc.date.issued2018
dc.date.submitted2020-10-01T19:37:55Z
dc.identifierONIX_20201001_9783631765135_249
dc.identifierOCN: 1100936843
dc.identifierhttps://library.oapen.org/handle/20.500.12657/42342
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/162277
dc.description.abstractThe author explores the practices of Polish butō dancers. Underlining the transcultural potential of the genre, she discusses in particular their individual body-mind practices and so-called butō techniques in order to produce a generalised account of butō training. Her argument is underpinned by complex field research which she carried out as an expert observer and a workshop participant. Drawing on a transdisciplinary approach, which combines insights and findings from the fields of cultural and performance studies, cultural anthropology and cognitive sciences, the book depicts the sequence of three phases which make up the processual structure of butō training: intro, following and embodiment.
dc.languageEnglish
dc.relation.ispartofseriesInterdisciplinary Studies in Performance
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts
dc.subject.otherPerformance art
dc.titleIntense Bodily Presence
dc.title.alternativePractices of Polish Butō Dancers
dc.typebook
oapen.identifier.doi10.3726/b14546
oapen.relation.isPublishedByf6ba26fb-2881-41c1-848a-f9628b869216
oapen.pages242
oapen.place.publicationBern
dc.seriesnumber14


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