Zwischen Gott, Mensch und Teufel
Beobachtungskonstellationen in der deutschen Flugpublizistik der frühen Neuzeit
| dc.contributor.author | Martin-Ruland, Alena | |
| dc.date.accessioned | 2025-03-07T18:45:26Z | |
| dc.date.available | 2025-03-07T18:45:26Z | |
| dc.date.issued | 2024 | |
| dc.date.submitted | 2024-07-11T15:25:33Z | |
| dc.identifier | ONIX_20240711_9783111323152_27 | |
| dc.identifier | 2749-8913 | |
| dc.identifier | https://library.oapen.org/handle/20.500.12657/92164 | |
| dc.identifier.uri | https://doab-dev.siscern.org/handle/20.500.12854/162542 | |
| dc.description.abstract | In the wealth of early modern portrayals of the devil as a fear-inducing monstrosity, narrative realizations that take a strangely different path stand out. This includes the staging of the diabolical enemy as a latent danger. This study examines the function of image-text combinations that sought to increase their impact in terms of the vigilant observation of the devil through their specific design. | |
| dc.language | German | |
| dc.language | English | |
| dc.relation.ispartofseries | Vigilanzkulturen / Cultures of Vigilance | |
| dc.rights | open access | |
| dc.subject.classification | thema EDItEUR::1 Place qualifiers::1D Europe | |
| dc.subject.classification | thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MD 16th century, c 1500 to c 1599 | |
| dc.subject.classification | thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MG 17th century, c 1600 to c 1699 | |
| dc.subject.classification | thema EDItEUR::N History and Archaeology::NH History::NHD European history::NHDN European history: Reformation | |
| dc.subject.classification | thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history | |
| dc.subject.other | Attentiveness | |
| dc.subject.other | pamphlets | |
| dc.subject.other | attention | |
| dc.subject.other | perception | |
| dc.title | Zwischen Gott, Mensch und Teufel | |
| dc.title.alternative | Beobachtungskonstellationen in der deutschen Flugpublizistik der frühen Neuzeit | |
| dc.type | book | |
| oapen.identifier.doi | 10.1515/9783111323152 | |
| oapen.relation.isPublishedBy | af2fbfcc-ee87-43d8-a035-afb9d7eef6a5 | |
| oapen.relation.isFundedBy | Deutsche Forschungsgemeinschaft (DFG) | |
| oapen.relation.isFundedBy | 631ac483-8bae-460f-9987-c3f4e4b98bb5 | |
| oapen.relation.isbn | 9783111323152 | |
| oapen.relation.isbn | 9783111320687 | |
| oapen.relation.isbn | 9783111323367 | |
| oapen.collection | DFG - German Research Foundation | |
| oapen.imprint | De Gruyter | |
| oapen.pages | 142 | |
| oapen.place.publication | Berlin/Boston | |
| oapen.grant.number | 394775490 | |
| dc.relationisFundedBy | 631ac483-8bae-460f-9987-c3f4e4b98bb5 | |
| dc.seriesnumber | 11 | |
| dc.abstractotherlanguage | In the wealth of early modern portrayals of the devil as a fear-inducing monstrosity, narrative realizations that take a strangely different path stand out. This includes the staging of the diabolical enemy as a latent danger. This study examines the function of image-text combinations that sought to increase their impact in terms of the vigilant observation of the devil through their specific design. | |
| dc.grantproject | SFB 1369 |
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