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dc.contributor.authorMéndez Baiges, Maite
dc.date.accessioned2025-03-07T18:47:12Z
dc.date.available2025-03-07T18:47:12Z
dc.date.issued2022
dc.date.submitted2022-12-22T16:07:54Z
dc.identifierONIX_20221222_9788855186568_93
dc.identifier2704-5919
dc.identifierhttps://library.oapen.org/handle/20.500.12657/60431
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/162597
dc.description.abstractConclusions
dc.languageEnglish
dc.relation.ispartofseriesStudi e saggi
dc.rightsopen access
dc.subject.otherModernism
dc.subject.otherDemoiselles d'Avignon
dc.subject.otherModernist Criticism
dc.subject.otherNew History of Art
dc.subject.otherGlobal History of Art
dc.subject.otherthema EDItEUR::A The Arts
dc.titleChapter Epilogue
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-656-8.09
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855186568
oapen.pages2
oapen.place.publicationFlorence
dc.seriesnumber242


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