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dc.contributor.authorFastelli, Federico
dc.date.accessioned2025-03-07T19:01:04Z
dc.date.available2025-03-07T19:01:04Z
dc.date.issued2021
dc.date.submitted2022-06-01T12:28:21Z
dc.identifierONIX_20220601_9788855184670_740
dc.identifier2704-5919
dc.identifierhttps://library.oapen.org/handle/20.500.12657/56556
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/163036
dc.description.abstractThe essay examines the travel photo-text genre from a theoretical point of view, through the example of Absolutely Nothing by Giorgio Vasta and Ramak Fazel. It discusses the key issues and perspectives within the theory and methodology of visual studies and visual culture and describes the opposition between the verbal and visual parts of the volume, understood as a “Struggle for Territory”. This puts on strain the foundations of the travel story tradition, such as the narrative authentication.
dc.languageItalian
dc.relation.ispartofseriesStudi e saggi
dc.rightsopen access
dc.subject.otherphoto-text genre
dc.subject.otherGiorgio Vasta
dc.subject.otherRamak Fazel
dc.subject.othervisual studies
dc.subject.othertravel story tradition.
dc.titleChapter Fototesti di viaggio: Absolutely nothing di Giorgio Vasta e Ramak Fazel
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-467-0.31
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855184670
oapen.pages10
oapen.place.publicationFlorence
dc.seriesnumber225


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