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dc.contributor.authorFranco, Roberto
dc.date.accessioned2025-03-07T19:03:53Z
dc.date.available2025-03-07T19:03:53Z
dc.date.issued2018
dc.date.submitted2022-06-01T12:08:33Z
dc.identifierONIX_20220601_9788864537078_98
dc.identifier2704-5846
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55915
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/163135
dc.description.abstractOne of the greatest masterpieces of Flemish art of global importance has been analyzed, through geological and geomorphological evidence, in order to identify the ‘hidden landscapes’ depicted within it. The conclusions of this study suggest that the views may be Sicilian. This fact is particularly important as it is believed that the masterpiece was imported into Sicily, but the history of its origin is not yet well known, indeed, it is still under discussion. Reasonably, therefore, in the light of the results achieved, the possibility that it has been realized on the island itself can be seen.
dc.languageEnglish
dc.relation.ispartofseriesProceedings e report
dc.rightsopen access
dc.subject.otherHidden Landscapes
dc.subject.otherFlemish Artist
dc.subject.otherLandscape Busting
dc.titleChapter The Place of Inspiration of the Flemish Triptych by Rogier van der Weyden. A Contribution of the landscape busting to one of the vexata quaestio of the Sicilian History
dc.typechapter
oapen.identifier.doi10.36253/978-88-6453-707-8.17
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864537078
oapen.pages6
oapen.place.publicationFlorence
dc.seriesnumber118


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