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dc.contributor.authorComoy Fusaro, Edwige
dc.date.accessioned2025-03-07T19:36:22Z
dc.date.available2025-03-07T19:36:22Z
dc.date.issued2022
dc.date.submitted2022-09-15T20:08:13Z
dc.identifierONIX_20220915_9788855185974_121
dc.identifier2420-8361
dc.identifierhttps://library.oapen.org/handle/20.500.12657/58325
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/164152
dc.description.abstractThis study examines the current reception of second part of the 19th century Italian literature in France. The data come from 4 sources of information: the general book market on foreign literature, the scholarly book market on Italian literature, the programs of Literature in Bachelor and Master curricula of Italian Studies, and the yearly programs of the competitive exam for teachers in Italian (Agrégation). As a result, the champion of second 19th century Italian literature’s reception in French culture is Giovanni Verga, the traditional canon is mostly undiscussed but lately, both large audience publishing and academic studies show interest for relatively forgotten authors such as Grazia Deledda and movements such as Scapigliatura.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.rightsopen access
dc.subject.other19th century
dc.subject.otherAgrégation
dc.subject.otherCanon
dc.subject.otherItalian studies
dc.subject.otherReception
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies
dc.titleChapter Il secondo Ottocento italiano visto dalla Francia
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-597-4.08
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855185974
oapen.pages20
oapen.place.publicationFlorence
dc.seriesnumber66
dc.abstractotherlanguageThis study examines the current reception of second part of the 19th century Italian literature in France. The data come from 4 sources of information: the general book market on foreign literature, the scholarly book market on Italian literature, the programs of Literature in Bachelor and Master curricula of Italian Studies, and the yearly programs of the competitive exam for teachers in Italian (Agrégation). As a result, the champion of second 19th century Italian literature’s reception in French culture is Giovanni Verga, the traditional canon is mostly undiscussed but lately, both large audience publishing and academic studies show interest for relatively forgotten authors such as Grazia Deledda and movements such as Scapigliatura.


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