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dc.contributor.authorGattara, Alessandro
dc.contributor.authorGallese, Vittorio
dc.date.accessioned2025-03-07T19:47:28Z
dc.date.available2025-03-07T19:47:28Z
dc.date.issued2021
dc.date.submitted2022-06-01T12:26:02Z
dc.identifierONIX_20220601_9788855182867_691
dc.identifierhttps://library.oapen.org/handle/20.500.12657/56506
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/164471
dc.description.abstractThis chapter, written by a cognitive neuroscientist and an architect, endeavors to suggest why and how cognitive neuroscience should investigate our relationship with aesthetics and architecture—framing this empirical approach as experimental aesthetics. The term experimental aesthetics specifically refers to the scientific investigation of the brain-body physiological correlates of the aesthetic experience of particular human symbolic expressions, such as works of art and architecture. The notion “aesthetics” is used here mainly in its bodily connotation, as it refers to the sensorimotor and affective aspects of our experience of these particular perceptual objects.
dc.languageItalian
dc.relation.ispartofseriesRicerche. Architettura, Pianificazione, Paesaggio, Design
dc.rightsopen access
dc.subject.othermirror neurons
dc.subject.otherexperimental aesthetics
dc.subject.otherembodied simulation
dc.titleChapter Simulazione incarnata, estetica e architettura: un approccio estetico sperimentale
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-286-7.10
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855182867
oapen.pages16
oapen.place.publicationFlorence
dc.seriesnumber6


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