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Fontanes Medien

dc.contributor.editorTrilcke, Peer
dc.date.accessioned2025-03-07T19:59:27Z
dc.date.available2025-03-07T19:59:27Z
dc.date.issued2022
dc.date.submitted2023-01-30T17:08:07Z
dc.identifierONIX_20230130_9783110733235_59
dc.identifierOCN: 1359336763
dc.identifierhttps://library.oapen.org/handle/20.500.12657/61101
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/164845
dc.description.abstractThis volume views the rapid mediatization of society in the nineteenth century as a productive framework for the "media worker" Theodor Fontane. Embedded within a ramified network of postal text circulation, familiar with the popular periodical press, for which he would write throughout his life, and shaped in various ways by the visual culture of his time, this volume demonstrates that Fontane was a journalistic and aesthetic crossover artist.
dc.languageGerman
dc.languageEnglish
dc.rightsopen access
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
dc.subject.otherMedia history
dc.subject.otherjournalism nineteenth century
dc.subject.otherFontane, Theodor
dc.titleFontanes Medien
dc.typebook
oapen.identifier.doi10.1515/9783110733235
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isbn9783110733235
oapen.relation.isbn9783110738100
oapen.relation.isbn9783110733303
oapen.imprintDe Gruyter
oapen.pages672
oapen.place.publicationBerlin/Boston
dc.abstractotherlanguageThis volume views the rapid mediatization of society in the nineteenth century as a productive framework for the "media worker" Theodor Fontane. Embedded within a ramified network of postal text circulation, familiar with the popular periodical press, for which he would write throughout his life, and shaped in various ways by the visual culture of his time, this volume demonstrates that Fontane was a journalistic and aesthetic crossover artist.


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