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dc.contributor.authorEsposito, Nicola
dc.date.accessioned2025-03-07T20:01:40Z
dc.date.available2025-03-07T20:01:40Z
dc.date.issued2022
dc.date.submitted2023-05-01T13:41:23Z
dc.identifierONIX_20230501_9788855186681_122
dc.identifier2704-5919
dc.identifierhttps://library.oapen.org/handle/20.500.12657/62706
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/164912
dc.description.abstractIn the history of scholarship on vernacular style, rhetoric, and prose rhythm, very little space has been given to 14th-century Tuscan short stories writers, such as Ser Giovanni, Franco Sacchetti, and Giovanni Sercambi. This article analyzes Ser Giovanni’s Pecorone with the aim of individuating stylistic, rhetorical, and rhythmic elements and of understanding their relationship with its model, Giovanni Boccaccio’s Decameron. Although Ser Giovanni did not have a direct knowledge of the artes dictaminis, the article shows how his deep reading of Boccaccio’s Decameron permitted him to recognize and put to use many of the rhetorical expedients he found in it.
dc.languageItalian
dc.relation.ispartofseriesStudi e saggi
dc.rightsopen access
dc.subject.otherBoccaccio
dc.subject.otherSer Giovanni
dc.subject.otherDecameron
dc.subject.otherPecorone
dc.subject.othercursus
dc.subject.otherrhetoric
dc.subject.otherstyle
dc.subject.otherprose rhythm.
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies
dc.titleChapter Elementi stilistici decameroniani nel Pecorone di ser Giovanni
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-668-1.07
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855186681
oapen.pages16
oapen.place.publicationFlorence
dc.seriesnumber244
dc.abstractotherlanguageIn the history of scholarship on vernacular style, rhetoric, and prose rhythm, very little space has been given to 14th-century Tuscan short stories writers, such as Ser Giovanni, Franco Sacchetti, and Giovanni Sercambi. This article analyzes Ser Giovanni’s Pecorone with the aim of individuating stylistic, rhetorical, and rhythmic elements and of understanding their relationship with its model, Giovanni Boccaccio’s Decameron. Although Ser Giovanni did not have a direct knowledge of the artes dictaminis, the article shows how his deep reading of Boccaccio’s Decameron permitted him to recognize and put to use many of the rhetorical expedients he found in it.


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