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Visioni critiche

Recensioni teatrali da «l'Unità-Toscana» (1975-1983)

dc.contributor.authorFERRONE, SIRO
dc.contributor.editorMEGALE, TERESA
dc.contributor.editorSIMONCINI, FRANCESCA
dc.date.accessioned2025-03-07T20:04:35Z
dc.date.available2025-03-07T20:04:35Z
dc.date.issued2016
dc.date.submitted2022-05-31T10:26:37Z
dc.identifierONIX_20220531_9788864533827_605
dc.identifierOCN: 1229616252
dc.identifier2704-5919
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55321
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/165001
dc.description.abstractLike a two-faced Janus, Siro Ferrone carried out both research on theatre and theatre criticism, combining academic research and stage experience. His reviewer activity, carried out without interruptions, is now for the first time transcribed and organically collected in a volume. The articles, which appeared on the pages of “l'Unità-Toscana”, are today an important source for the analysis of significant shows staged in the main Tuscan theatres between 1975 and 1983. The result is the documentation of a period of fertile and avant-garde theatrical production, here retraced through the aware and illuminating testimonies of one of the main Italian historians of performing arts.
dc.languageItalian
dc.relation.ispartofseriesStudi e saggi
dc.rightsopen access
dc.titleVisioni critiche
dc.title.alternativeRecensioni teatrali da «l'Unità-Toscana» (1975-1983)
dc.typebook
oapen.identifier.doi10.36253/978-88-6453-382-7
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864533827
oapen.relation.isbn9788864533810
oapen.relation.isbn9788864533834
oapen.relation.isbn9788892732216
oapen.pages376
oapen.place.publicationFlorence
dc.seriesnumber159
dc.abstractotherlanguageLike a two-faced Janus, Siro Ferrone carried out both research on theatre and theatre criticism, combining academic research and stage experience. His reviewer activity, carried out without interruptions, is now for the first time transcribed and organically collected in a volume. The articles, which appeared on the pages of “l'Unità-Toscana”, are today an important source for the analysis of significant shows staged in the main Tuscan theatres between 1975 and 1983. The result is the documentation of a period of fertile and avant-garde theatrical production, here retraced through the aware and illuminating testimonies of one of the main Italian historians of performing arts.


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