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dc.contributor.editorKartsaki, Eirini
dc.date.accessioned2025-03-07T20:09:48Z
dc.date.available2025-03-07T20:09:48Z
dc.date.issued2024
dc.date.submitted2024-09-26T08:52:57Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/93618
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/165149
dc.description.abstractcabaret, burlesque, showwoman, performance, theatre, ecofeminism, feminism, menstrual activism, Jewishness, Jewish identity, live art, extremities, radical empathy, visceral aesthetics, feminist allyship, the occult
dc.languageEnglish
dc.rightsopen access
dc.subject.othercabaret, burlesque, showwoman, performance, theatre, ecofeminism, feminism, menstrual activism, Jewishness, Jewish identity, live art, extremities, radical empathy, visceral aesthetics, feminist allyship, the occult
dc.subject.otherthema EDItEUR::A The Arts
dc.titleObsessions of a Showwoman
dc.title.alternativeThe Performance Worlds of Marisa Carnesky
dc.typebook
oapen.relation.isPublishedBy50f7a92a-e12a-467c-8df9-e2c55ce90cc8
oapen.relation.hasChapter8095bc41-3653-4b6a-8891-09aa4893d379
oapen.relation.isbn9781835950104
oapen.relation.isbn9781835950128
oapen.relation.isbn9781835950111


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Chapters in this book

  • Kartsaki, Eirini (2024)
    Weird women, this chapter proposes, are artists who challenge boundaries and are uneasy within neat, already existing categories of art, sex, identity, and desire. Their existence is emphatic; yet the categories we already ...