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dc.contributor.authorSieroka, Norman
dc.date.accessioned2025-03-07T20:17:24Z
dc.date.available2025-03-07T20:17:24Z
dc.date.issued2024
dc.date.submitted2024-06-25T15:02:59Z
dc.identifierONIX_20240625_9783111403632_9
dc.identifier2701-1453
dc.identifierhttps://library.oapen.org/handle/20.500.12657/91019
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/165383
dc.description.abstractThis volume shows why it is misleading to view time as an object, exploring the insights that can be gained from analogies between sequences and by comparing event timings. Incorporating extensive references to music and, more broadly, to the act of listening provides illuminating glimpses into these fundamental structural properties of reality.
dc.languageGerman
dc.relation.ispartofseriesCHRONOI
dc.rightsopen access
dc.subject.otherExperience
dc.subject.otherMusic
dc.subject.otherPhilosophy of music
dc.subject.otherTime perception
dc.subject.otherthema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
dc.subject.otherthema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
dc.subject.otherthema EDItEUR::P Mathematics and Science::PG Astronomy, space and time::PGZ Time (chronology), time systems and standards
dc.subject.otherthema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTK Philosophy: epistemology and theory of knowledge
dc.titleZeit-Hören
dc.title.alternativeErfahrungen, Taktungen, Musik
dc.typebook
oapen.identifier.doi10.1515/9783111403632
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isFundedBy378f20d3-2bdb-45f6-aaf4-690d75354f4e
oapen.relation.isbn9783111403632
oapen.relation.isbn9783111399997
oapen.relation.isbn9783111404172
oapen.imprintDe Gruyter
oapen.pages153
oapen.place.publicationBerlin/Boston
oapen.grant.number[...]
dc.relationisFundedBy378f20d3-2bdb-45f6-aaf4-690d75354f4e
dc.seriesnumber12
dc.abstractotherlanguageThis volume shows why it is misleading to view time as an object, exploring the insights that can be gained from analogies between sequences and by comparing event timings. Incorporating extensive references to music and, more broadly, to the act of listening provides illuminating glimpses into these fundamental structural properties of reality.


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