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dc.contributor.editorGIOMETTI, Cristiano
dc.contributor.editorPEGAZZANO, DONATELLA
dc.date.accessioned2025-03-07T20:33:51Z
dc.date.available2025-03-07T20:33:51Z
dc.date.issued2019
dc.date.submitted2022-05-31T10:33:42Z
dc.identifierONIX_20220531_9788864538617_846
dc.identifierOCN: 1124659084
dc.identifier2704-6044
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55562
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/165888
dc.description.abstractThe exhibition at Villa La Quiete focuses on three important Renaissance sculptures, which had never been exposed to the public before. On this occasion, the works were carefully restored, continuing on the path of the previous restauration of the Villa’s artistic heritage at the hands of the University of Florence; the new restoration was supported by the Terna group, whose liberal donation helped restore one of the works on display, namely the beautiful in stucco Madonna with Child from Lorenzo Ghiberti’s workshop. This work comes with a rare terracotta piece of a Madonna with Child, by one of Donatello’s followers, and a Christ, the Saviour, in painted terracotta as well, made by the artist Agnolo di Polo, who trained in Andrea Verrocchio’s workshop. The three sculptures are a part of the oldest core of the Villa's collections, and represent a relevant example of the refined production of the multifaceted workshops of the Renaissance in Florence.
dc.languageItalian
dc.relation.ispartofseriesCataloghi e collezioni
dc.rightsopen access
dc.titleTre sculture del Rinascimento
dc.title.alternativeRecuperi e restauri a Villa La Quiete
dc.typebook
oapen.identifier.doi10.36253/978-88-6453-861-7
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864538617
oapen.relation.isbn9788864538600
oapen.relation.isbn9788892730540
oapen.pages72
oapen.place.publicationFlorence
dc.seriesnumber12
dc.abstractotherlanguageThe exhibition at Villa La Quiete focuses on three important Renaissance sculptures, which had never been exposed to the public before. On this occasion, the works were carefully restored, continuing on the path of the previous restauration of the Villa’s artistic heritage at the hands of the University of Florence; the new restoration was supported by the Terna group, whose liberal donation helped restore one of the works on display, namely the beautiful in stucco Madonna with Child from Lorenzo Ghiberti’s workshop. This work comes with a rare terracotta piece of a Madonna with Child, by one of Donatello’s followers, and a Christ, the Saviour, in painted terracotta as well, made by the artist Agnolo di Polo, who trained in Andrea Verrocchio’s workshop. The three sculptures are a part of the oldest core of the Villa's collections, and represent a relevant example of the refined production of the multifaceted workshops of the Renaissance in Florence.


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