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dc.contributor.authorZalambani, Maria
dc.date.accessioned2025-03-07T20:45:01Z
dc.date.available2025-03-07T20:45:01Z
dc.date.issued2015
dc.date.submitted2022-05-31T10:25:06Z
dc.identifierONIX_20220531_9788866557562_548
dc.identifierOCN: 1226009525
dc.identifier2612-7679
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55264
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/166214
dc.description.abstractLeo Tolstoy's works are not only masterpieces of world literature, but also mirrors of their time, of the socio-cultural transformations which took place in Tsarist Russia; it is from this perspective that, in this work, this great writer’s production is analysed. In particular, the author examines the evolution of the institution of marriage in the second half of the 19th century in Russia, starting from the reading of Family Happiness , Anna Karenina and The Kreutzer Sonata. If Family happiness preludes to the crisis of the arranged marriage, its implosion is beautifully described in Anna Karenina . Anna announces the definitive death of this institution when she defies the society of her time by not hiding her adultery and, on the contrary, by exhibiting it and trying to legitimize it.The Kreutzer Sonata, lastly, demonstrates the successful overcoming of the aristocratic marriage model, replaced by the bourgeois one.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.rightsopen access
dc.titleL’istituzione del matrimonio in Tolstoj
dc.title.alternativeFelicità familiare, Anna Karenina, La sonata a Kreutzer
dc.typebook
oapen.identifier.doi10.36253/978-88-6655-756-2
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788866557562
oapen.relation.isbn9788866557555
oapen.relation.isbn9788892733763
oapen.pages210
oapen.place.publicationFlorence
dc.seriesnumber27
dc.abstractotherlanguageLeo Tolstoy's works are not only masterpieces of world literature, but also mirrors of their time, of the socio-cultural transformations which took place in Tsarist Russia; it is from this perspective that, in this work, this great writer’s production is analysed. In particular, the author examines the evolution of the institution of marriage in the second half of the 19th century in Russia, starting from the reading of Family Happiness , Anna Karenina and The Kreutzer Sonata. If Family happiness preludes to the crisis of the arranged marriage, its implosion is beautifully described in Anna Karenina . Anna announces the definitive death of this institution when she defies the society of her time by not hiding her adultery and, on the contrary, by exhibiting it and trying to legitimize it.The Kreutzer Sonata, lastly, demonstrates the successful overcoming of the aristocratic marriage model, replaced by the bourgeois one.


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