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dc.contributor.authorAndersen Funder, Lærke Maria
dc.contributor.authorMyrup Kristensen, Troels
dc.contributor.authorNørskov, Vinnie
dc.date.accessioned2025-03-07T21:05:01Z
dc.date.available2025-03-07T21:05:01Z
dc.date.issued2019
dc.date.submitted2019-10-17 14:34:32
dc.date.submitted2020-04-01T10:54:11Z
dc.identifier1004182
dc.identifierOCN: 1100520142
dc.identifierhttp://library.oapen.org/handle/20.500.12657/25901
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/166792
dc.description.abstractThis book examines how different agents and institutions within the Danish nation state have situated themselves within this complex landscape of competing appropriations of classical antiquity from the eighteenth century to the present day. In particular, it focuses on the use of classical heritages to construct both European and national identities (in the plural) and especially on how Danes in this period have engaged with a sense of European commonality through their engagements with the classical past
dc.languageEnglish
dc.rightsopen access
dc.subject.otherClassical heritage
dc.subject.otherEurope
dc.subject.otherDanish cassicism
dc.subject.otherthema EDItEUR::N History and Archaeology::NH History
dc.titleClassical Heritage and European Identities
dc.title.alternativeThe Imagined Geographies of Danish Classicism
dc.typebook
oapen.relation.isPublishedByfa69b019-f4ee-4979-8d42-c6b6c476b5f0
oapen.relation.hasChapter12c1f6fa-3c22-4351-8983-dc5eeab5f401
oapen.relation.isbn9780429455179
oapen.imprintRoutledge
oapen.pages134
dc.anonymitySingle-anonymised
dc.peerreviewidbc80075c-96cc-4740-a9f3-a234bc2598f1
dc.peerreviewtitleProposal review
dc.openreviewNo
dc.responsibilityPublisher
dc.stagePre-publication
dc.reviewtypeProposal
dc.reviewertypeInternal editor
dc.reviewertypeExternal peer reviewer


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  • Andersen Funder, Lærke Maria; Myrup Kristensen, Troels; Nørskov, Vinnie (2019)
    This book examines how different agents and institutions within the Danish nation state have situated themselves within this complex landscape of competing appropriations of classical antiquity from the eighteenth century ...