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dc.contributor.authorAurin, Karl-Arthur
dc.date.accessioned2025-03-07T21:07:42Z
dc.date.available2025-03-07T21:07:42Z
dc.date.issued2024
dc.date.submitted2024-05-23T04:30:53Z
dc.identifierOCN: 1436680972
dc.identifierhttps://library.oapen.org/handle/20.500.12657/90404
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/166878
dc.description.abstractThis thesis deals with the question to which extent crises and catastrophes affected the public visual art of the Roman emperors from Vespasian to Commodus. Various developments and events that we would describe today as crises or catastrophes have survived for the period under investigation. In contrast to the modern media landscape, however, Roman pictorial art only directly depicted crises and catastrophes in isolated cases. Rather, changes and continuity in the content and formal design of the coins, portraits and reliefs of the Roman emperors reveal potential reactions to the threats and misfortunes that the principes had to face. The focus of the work is on the pictorial representations of the coins, portraits and reliefs. Although the material only represents a small selection of imperial imagery, it provides fascinating insights into the official assessment of disasters.
dc.languageGerman
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::H Humanities::HD Archaeology
dc.subject.otherpublic visual art
dc.subject.otherreaction
dc.subject.othercontent design
dc.titleKrisen und Katastrophen im Spiegel der Münzen, Porträts und Reliefs der Kaiser Vespasian bis Commodus (68–192 n. Chr.)
dc.typebook
oapen.identifier.doi10.17875/gup2024-2543
oapen.relation.isPublishedByaf9011e0-03b9-4a5c-9ae6-b9da4898d1b2
oapen.collectionAG Universitätsverlage


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