Afficher la notice abrégée

dc.contributor.authorde Assis, Paulo
dc.date.accessioned2025-03-07T21:23:31Z
dc.date.available2025-03-07T21:23:31Z
dc.date.issued2018
dc.date.submitted2018-10-22 23:55
dc.date.submitted2019-05-13 14:54:12
dc.date.submitted2020-04-01T12:18:49Z
dc.identifier1001749
dc.identifierOCN: 1066128592
dc.identifierhttp://library.oapen.org/handle/20.500.12657/28242
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/167346
dc.description.abstract"Beyond interpretation: a proposal for experimental performance practices Logic of Experimentation offers several innovative and ground-breaking perspectives on music performance, music ontology, research methodologies and ethics of performance. It proposes new modes of thinking and exposing past musical works to contemporary audiences, arguing for a new kind of performer, emancipated from authoritative texts and traditions, whose creativity is propelled by intensive research and inventive imagination. Moving beyond the work-concept, Logic of Experimentation presents a new image of musical works, based upon the notions of strata, assemblage and diagram, advancing innovative practice-based methodologies that integrate archival and musicological research into the creative process leading to a performance. Beyond representational modes of performance—be it mainstream or historically informed performance practices—Logic of Experimentation creates an ontological, methodological and ethical space for experimental performance practices, arguing for a new mode of performance. Written in an experimental style, its eight chapters appropriate music performance concepts from post-structural philosophy, psychoanalysis, science and technology studies, epistemology and semiotics, displaying how transdisciplinarity is central to artistic research. An indispensable contribution to artistic research in music, Logic of Experimentation is compelling reading for music performers, composers, musicologists, philosophers and artist researchers alike."
dc.languageEnglish
dc.relation.ispartofseriesOrpheus Institute Series
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
dc.subject.othermusic performance
dc.subject.otherartistic research
dc.subject.othermusic ontology
dc.titleLogic of Experimentation
dc.title.alternativeReshaping Music Performance in and through Artistic Research
dc.typebook
oapen.identifier.doi10.11116/9789461662507
oapen.relation.isPublishedBy9e472607-bec3-4b15-ba3f-f05039722389
oapen.relation.isFundedByFP7 Ideas: European Research Council
oapen.relation.isFundedBy7292b17b-f01a-4016-94d3-d7fb5ef9fb79
oapen.relation.isbn9789461662507
oapen.collectionEuropean Research Council (ERC)
oapen.collectionEU collection
oapen.pages260
oapen.place.publicationLeuven
oapen.grant.number313419
oapen.grant.programFP7 SC39
dc.relationisFundedBy7292b17b-f01a-4016-94d3-d7fb5ef9fb79


Fichier(s) constituant ce document

FichiersTailleFormatVue

Il n'y a pas de fichiers associés à ce document.

Ce document figure dans la(les) collection(s) suivante(s)

Afficher la notice abrégée

open access
Excepté là où spécifié autrement, la license de ce document est décrite en tant que open access