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Giuseppe Maria Crespi e il Gran Principe Ferdinando de' Medici

dc.contributor.authorZUCCHINI, ELISA
dc.date.accessioned2025-03-07T21:55:19Z
dc.date.available2025-03-07T21:55:19Z
dc.date.issued2021
dc.date.submitted2022-05-31T10:37:38Z
dc.identifierONIX_20220531_9788855183574_976
dc.identifierOCN: 1325878796
dc.identifier2705-0297
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55692
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/168294
dc.description.abstractThe iconological analysis of Crespi’s paintings for Grand Prince Ferdinando de’Medici reveals shared ideas rooted in Seneca’s philosophy, basis of their taste for genre and pastoral scenes. Crespi was a leading figure of the prince’s artistic view, according to which arts and sciences guide to wisdom and virtue. Their appreciation for bizarre iconographies and Venetian style painting is clarified by ideas inspired by Seneca on ingenuity and picturesque frenzy. The characteristics of conciseness, brilliance, coexistence of archaism and innovation associate Ferdinando’s artistic and musical patronage, influencing his favourite artists and composers and perhaps Handel’s art collection.
dc.languageItalian
dc.relation.ispartofseriesPremio Ricerca «Città di Firenze»
dc.rightsopen access
dc.subject.otherGiuseppe Maria Crespi
dc.subject.otherGrand Prince Ferdinando de’ Medici
dc.subject.otherart history
dc.subject.otherstoicism
dc.subject.otherlast Medici
dc.subject.otherart and music
dc.titleGiuseppe Maria Crespi e il Gran Principe Ferdinando de' Medici
dc.typebook
oapen.identifier.doi10.36253/978-88-5518-357-4
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855183574
oapen.relation.isbn9788855183567
oapen.relation.isbn9788855183581
oapen.pages404
oapen.place.publicationFlorence
dc.seriesnumber79
dc.abstractotherlanguageThe iconological analysis of Crespi’s paintings for Grand Prince Ferdinando de’Medici reveals shared ideas rooted in Seneca’s philosophy, basis of their taste for genre and pastoral scenes. Crespi was a leading figure of the prince’s artistic view, according to which arts and sciences guide to wisdom and virtue. Their appreciation for bizarre iconographies and Venetian style painting is clarified by ideas inspired by Seneca on ingenuity and picturesque frenzy. The characteristics of conciseness, brilliance, coexistence of archaism and innovation associate Ferdinando’s artistic and musical patronage, influencing his favourite artists and composers and perhaps Handel’s art collection.


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