Topografien des 20. Jahrhunderts
Die memoriale Poetik des Stolperns in Haroldo de Campos' «Galáxias»
| dc.contributor.author | Wrobel, Jasmin | |
| dc.date.accessioned | 2025-03-07T21:55:42Z | |
| dc.date.available | 2025-03-07T21:55:42Z | |
| dc.date.issued | 2020 | |
| dc.date.submitted | 2021-02-11T17:44:01Z | |
| dc.identifier | ONIX_20210211_9783110639445_28 | |
| dc.identifier | OCN: 1253414818 | |
| dc.identifier | 0178-7489 | |
| dc.identifier | https://library.oapen.org/handle/20.500.12657/46652 | |
| dc.identifier.uri | https://doab-dev.siscern.org/handle/20.500.12854/168308 | |
| dc.description.abstract | The polyphonic world poem Galáxias (1984) by Brazilian poet Haroldo de Campos has, to date, mainly been discussed in the broader context of concrete poetry and the Latin American neo-baroque. This book offers a completely new reading of the work as a poetic testimony to a century of catastrophes: references to traumatic historical events are embedded as ‘stumbling blocks’ in the text, guiding the reader towards a ‘Poetics of Stumbling’. | |
| dc.language | German | |
| dc.relation.ispartofseries | MIMESIS | |
| dc.rights | open access | |
| dc.subject.classification | thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetry | |
| dc.subject.classification | thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism | |
| dc.subject.classification | thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000 | |
| dc.subject.other | Pound, Ezra | |
| dc.subject.other | memorial poetry | |
| dc.subject.other | concrete poetry | |
| dc.subject.other | Campos, Haroldo de | |
| dc.title | Topografien des 20. Jahrhunderts | |
| dc.title.alternative | Die memoriale Poetik des Stolperns in Haroldo de Campos' «Galáxias» | |
| dc.type | book | |
| oapen.identifier.doi | 10.1515/9783110639445 | |
| oapen.relation.isPublishedBy | af2fbfcc-ee87-43d8-a035-afb9d7eef6a5 | |
| oapen.relation.isFundedBy | Freie Universität Berlin | |
| oapen.relation.isFundedBy | a6adce6b-3f26-4535-92d8-598288bff431 | |
| oapen.pages | 409 | |
| oapen.place.publication | Berlin/Boston | |
| oapen.grant.number | [grantnumber unknown] | |
| dc.relationisFundedBy | a6adce6b-3f26-4535-92d8-598288bff431 | |
| dc.seriesnumber | 82 | |
| dc.abstractotherlanguage | The polyphonic world poem Galáxias (1984) by Brazilian poet Haroldo de Campos has, to date, mainly been discussed in the broader context of concrete poetry and the Latin American neo-baroque. This book offers a completely new reading of the work as a poetic testimony to a century of catastrophes: references to traumatic historical events are embedded as ‘stumbling blocks’ in the text, guiding the reader towards a ‘Poetics of Stumbling’. |
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